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Che's afterlife : the legacy of an image

Auteur : Michael Casey
Éditeur : New York : Vintage Books, 2009.
Édition/format :   Print book : AnglaisVoir toutes les éditions et tous les formats
Base de données :WorldCat
Résumé :
Casey, Buenos Aires bureau chief for Dow Jones Newswires, examines intellectual property and iconography through the lens of the famous image of Che Guevara captured by fashion photographer Alberto Korda. The author does not neglect the relevant biographical details or history, but his focus is Che as a brand. He wants to understand why the Korda image remains so compelling to such a wide variety of people and how  Lire la suite...
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Détails

Genre/forme : Portraits
Personne nommée : Alberto Korda; Che Guevara; Che Guevara; Ernesto Guevara; Ernesto Guevara; Che Guevara
Type d’ouvrage : Ressource Internet
Format : Livre, Ressource Internet
Tous les auteurs / collaborateurs : Michael Casey
ISBN : 9780307279309 0307279308
Numéro OCLC : 239228998
Notes : "A Vintage Books original"--T.p. verso.
Description : x, 388 p., [8] p. of plates : ill. (some col.) ; 21 cm.
Contenu : Becoming El Che : the making of a global brand. Havana, May 5, 1960 : a frozen millisecond ; Odysseus ; Sex, photos, revolution ; Banished, crucified, resurrected ; Milan, Paris, Berkeley : art, fashion, war, and peace --
Mimicking a martyr : San Ernesto of Latin America. Argentina : the prodigal son ; Bolivia : second coming ; Venezuela : the Chavistas' crusade ; Miami : the heretics --
Globalizing the spirit of Che : the paradoxical afterlife of a post-Cold War, post-Castro, postmodern Cuban icon. Omnipresence ; In search of the inner Che ; Merchants in the temple ; Epilogue : to be immortal.
Responsabilité : Michael Casey.
Plus d’informations :

Résumé :

Casey, Buenos Aires bureau chief for Dow Jones Newswires, examines intellectual property and iconography through the lens of the famous image of Che Guevara captured by fashion photographer Alberto Korda. The author does not neglect the relevant biographical details or history, but his focus is Che as a brand. He wants to understand why the Korda image remains so compelling to such a wide variety of people and how it continues to represent so many different (and differing) causes; he suggests that the power of Che, the brand, is in its ability to be anything to anyone.

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