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Chicago jazz : a cultural history, 1904-1930

Author: William Howland Kenney
Publisher: New York : Oxford University Press, 1993.
Edition/Format:   eBook : Document : EnglishView all editions and formats
Database:WorldCat
Summary:
In Chicago Jazz, William Howland Kenny offers a wide-ranging look at jazz in the Windy City, revealing how Chicago became the major centre for jazz in the 1920s, one of the most vital periods in the history of the music. He describes how the migration of blacks from the South to Chicago before and after World War I set the stage for the development of jazz in Chicago, and how nightclubs and cabarets became the  Read more...
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Genre/Form: Electronic books
Criticism, interpretation, etc
Additional Physical Format: Print version:
Kenney, William Howland.
Chicago jazz.
New York : Oxford University Press, 1993
(DLC) 92027397
Material Type: Document, Internet resource
Document Type: Internet Resource, Computer File
All Authors / Contributors: William Howland Kenney
ISBN: 0195092600 9780195092608 0195064534 9780195064537 1429400463 9781429400466 1280527684 9781280527685 0199853169 9780199853168
OCLC Number: 133164826
Reproduction Notes: Electronic reproduction. [S.l.] : HathiTrust Digital Library, 2011. MiAaHDL
Description: 1 online resource (xv, 233 pages)
Details: Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
Contents: South Side Jazz: Cultural Context --
The Evolution of South Side Jazz --
White Jazz and Dance Halls --
White Chicago Jazz: Cultural Context --
Chicago's Jazz Records --
"Syncopated Threnody": The End of Chicago's Jazz Age.
Responsibility: William Howland Kenney.
More information:

Abstract:

In Chicago Jazz, William Howland Kenny offers a wide-ranging look at jazz in the Windy City, revealing how Chicago became the major centre for jazz in the 1920s, one of the most vital periods in the history of the music. He describes how the migration of blacks from the South to Chicago before and after World War I set the stage for the development of jazz in Chicago, and how nightclubs and cabarets became the social setting for aficionados and musicians, black and white. In an examination of such well known greats as Louis Armstrong and King Oliver, Kenney sheds new light on the musical and cultural context in which jazz developed. And he travels beyond the South Side of Chicago to examine the evolution of white jazz and the influence of the South Side school on young players. Drawing on the personal recollections of many who experienced the influence of the Jazz Age. as well as historical texts, Kenney presents a new interpretation of Chicago Jazz that shows the influence of race, culture, and politics on its development.

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