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Childe Hassam, American impressionist

ผู้แต่ง: H Barbara Weinberg; Elizabeth E Barker; Metropolitan Museum of Art (New York, N.Y.); et al
สำนักพิมพ์: New York : Metropolitan Museum of Art ; New Haven : Yale University Press, ©2004.
ครั้งที่พิมพ์/รูปแบบ:   หนังสือ : บรรณานุกรม : ภาษาอังกฤษดูครั้งที่พิมพ์และรูปแบบ
ฐานข้อมูล:WorldCat
สรุป:
""I believe the man who will go down to posterity is the man who paints his own time and the scenes of every-day life around him," declared Childe Hassam in 1892. It was as a pioneer of American Impressionism and perhaps its most prolific and successful practitioner that Hassam (1859-1935) realized this credo. In so doing, he provided an account of our national life during a dynamic period. At the same time he  อ่านมากขึ้น…
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ประเภท/แบบฟอร์ม Exhibition catalogs
Exhibitions
Expositions
ชื่อบุคคล: Childe Hassam; Childe Hassam; Childe Hassam; Childe Hassam; Childe Hassam
ขนิดวัสดุ: บรรณานุกรม, ทรัพยากรอินแทอร์เน็ต
ประเภทของเอกสาร: หนังสือ, แหล่งข้อมูลอินเทอร์เน็ต
ผู้แต่งทั้งหมด : ผู้แต่งร่วม H Barbara Weinberg; Elizabeth E Barker; Metropolitan Museum of Art (New York, N.Y.); et al
ISBN: 1588391191 9781588391193 1588391205 9781588391209 0300102933 9780300102932
OCLC Number: 54500279
หมายเหตุ: Catalog of an exhibition held at the Metropolitan Museum of Art, June 10-Sept. 12, 2004.
คำอธิบาย: xi, 425 p. : ill. (some col.) ; 31 cm.
สารบัญ: Childe Hassam, American impressionist --
Introduction / H. Barbara Weinberg --
1. Hassam in Boston, 1859-1886 / Stephanie L. Herdrich --
2. Hassam in Paris, 1886-1889 / H. Barbara Weinberg --
3. Hassam in New York, 1889-1896 / H. Barbara Weinberg --
4. Hassam in New England, 1889-1918 / Susan G. Larkin --
5. Hassam's travels, 1892-1914 / H. Barbara Weinberg --
6. Hassam in New York, 1897-1919 / H. Barbara Weinberg --
7. Hassam in East Hampton, 1898-1935 / H. Barbara Weinberg --
Media, subjects, presentation, marketing, and critical response --
Hassam's watercolors / Carol Troyen --
"A truly learned weaving of light and dark": Hassam's prints / Elizabeth E. Barker --
Hassam's pride in his ancestry / Elizabeth Broun --
Hassam and American architecture / Erica E. Hirshler --
Hassam's gardens / Lisa Miller --
"The subject that I am known for": Hassam's pursuit of a legacy / Kimberly Orcutt --
How Hassam framed Hassams / Susan G. Larkin --
"On the crest of the wave": Hassam and the marketing of his art / Dana Pilson --
"Man sass 'em": Hassam and his contemporary critics / Kathleen M. Burnside --
Chronology / Stephanie L. Herdrich and Megan Holloway --
Exhibitions in Hassam's lifetime / Elizabeth Block, Stephanie L. Herdrich, Megan Holloway, and Dana Pilson.
ชื่อเรื่องอื่น: Childe Hassam
ความรับผิดชอบ: H. Barbara Weinberg ; with contributions by Elizabeth E. Barker ... [et al.].
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""I believe the man who will go down to posterity is the man who paints his own time and the scenes of every-day life around him," declared Childe Hassam in 1892. It was as a pioneer of American Impressionism and perhaps its most prolific and successful practitioner that Hassam (1859-1935) realized this credo. In so doing, he provided an account of our national life during a dynamic period. At the same time he helped to create a wave of enthusiasm for American Impressionism that he rode to fame and fortune." "Today he is best known for his portrayals of Celia Thaxter's old-fashioned garden on Appledore Island, Maine, and his depictions of the flags, banners, and bunting displayed on New York's tall buildings in patriotic response to World War I." "This illustrated publication accompanies a major exhibition at the Metropolitan Museum, the first retrospective presentation of Hassam's work in a museum since 1972. Unique to this volume are an account of Hassam's lifelong campaign to market his art, a study of the frames he selected and designed for his paintings, and an unprecedented lifetime exhibition record. Included in addition are a checklist of works in the exhibition and a chronology of Hassam's life. All works in the exhibition as well as comparative materials are reproduced."--BOOK JACKET.

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