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China's Soviet dream : propaganda, culture, and popular imagination

Author: Yan Li
Publisher: London ; New York : Routledge, Taylor & Francis Group, 2018.
Series: Routledge contemporary China series, 180.
Edition/Format:   Print book : EnglishView all editions and formats
Summary:
This book examines the introduction of Soviet socialist culture in the People's Republic of China, with a focus on the period of Sino-Soviet friendship in the 1950s. The vast state initiative to transplant Soviet culture into Chinese soil has conventionally been dismissed as a tool of propaganda and political indoctrination. However, this book demonstrates that this transnational engagement not only facilitated  Read more...
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Details

Document Type: Book
All Authors / Contributors: Yan Li
ISBN: 9781138218604 113821860X
OCLC Number: 975369189
Description: x, 207 pages : illustrations ; 25 cm.
Contents: IntroductionPart I: The Avowed InternationalismChapter 1: The Propaganda of FriendshipChapter 2: One World, One Language?Part II: The New OutlookChapter 3: Urban Landscapes and Socialist ArchitectureChapter 4: New Clothes and Socialist FashionPart III: The Public and the PrivateChapter 5: Soviet Literature in 1950s ChinaChapter 6: Soviet Literature in China's Cultural RevolutionAfterword
Series Title: Routledge contemporary China series, 180.
Responsibility: Yan Li.

Abstract:

This book examines the introduction of Soviet socialist culture in the People's Republic of China, with a focus on the period of Sino-Soviet friendship in the 1950s. The vast state initiative to transplant Soviet culture into Chinese soil has conventionally been dismissed as a tool of propaganda and political indoctrination. However, this book demonstrates that this transnational engagement not only facilitated China's broader transition to socialist modernity but also generated unintended consequences that outlasted the propaganda. Drawing on archival findings, newspapers, magazines, media productions, and oral interview, the book delves into changes in Chinese popular imagination and everyday aesthetics contingent upon Soviet influence. It proposes a revisionist view of the Soviet impact on China, revealing that Soviet culture offered Chinese people the language and imagery to conceive of their future as a dream about material abundance, self-determination, and the pleasures of leisure and cultural enrichment. Written with a transnational, interdisciplinary, and thematic approach, this book is aimed at scholars and students in the fields of Sino-Soviet relations, international socialism, modern Chinese history, cultural studies, and mass communication. It will also be of interest to researchers seeking to understand the nature, significance, and repercussions of Sino-Soviet cultural engagement.--

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