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Christian responses to Roman art and architecture : the second-century church amid the spaces of empire

著者: Laura Salah Nasrallah
出版商: Cambridge ; New York : Cambridge University Press, 2010.
版本/格式:   Print book : 英语查看所有的版本和格式
数据库:WorldCat
提要:
Nasrallah shows how early Christians took up themes of justice, piety, and even the question of whether humans could be gods. They did so in the midst of sculptures that conveyed visually that humans could be gods, monumental architecture that made claims about the justice and piety of the Roman imperial family, and ideas of geography that placed Greek or Roman ethnicity at the center of the known world. --from  再读一些...
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材料类型: 互联网资源
文件类型: 书, 互联网资源
所有的著者/提供者: Laura Salah Nasrallah
ISBN: 9780521766524 0521766524 9781107644991 1107644992
OCLC号码: 417444878
描述: xvi, 334 p. : ill., map ; 27 cm.
内容: Introduction --
Christian apologists and the second-century built environment --
Bringing together literature and archaeological remains --
Framing the question, framing the world --
What is an apology? : Christian apologies and the so-called Second Sophistic --
What does it mean to apologize? --
Addressing the Roman emperors, being Greek --
Defining the so-called Second Sophistic --
Traveling to Olympia : material manifestations of Greek Paideia and imperial address --
The Fountain of Regilla and Herodes Atticus --
Apologetics and christianness --
What is the space of the Roman Empire? : mapping, bodies, and knowledge in the Roman world --
Traveling men : Lucian, Tatian, and Justin --
Lucian --
Tatian --
Justin --
The Sebasteion in Aphrodisias --
Into the cities --
What informs the geographical imagination? : the Acts of the Apostles and Greek cities under Rome --
Placing Acts --
The Panhellenion --
Hadrian, ethnicity, and true religion --
What has Athens to do with Rome? --
Traveling back to Acts --
Acts 2 --
Paul in Lystra and Athens : confusing humans and gods --
Paul in Thessalonikē and Philippi : Roman sedition against Rome? --
What is justice? what is piety? what is Paideia : Justin, the forum of Trajan in Rome, and a crisis of mimēsis --
The column of Trajan --
Justin's apologies --
Names and deeds : Justin introduces himself, the emperors, and the mock court --
On the name --
The name and speech-acts --
A higher court --
Mimēsis, images, and daimones --
Sameness and difference --
Justice, piety, and Paideia in the Forum of Trajan --
The forum's surroundings --
Moving through the forum of Trajan --
War and the "temple of peace" --
Human bodies and the image(s) of god(s) --
How do you know God? : Athenagoras on names and images --
"This golden one, this Herakles, this God" : Commodus and Herakles --
The ambivalence of Herakles --
Commodus as Herakles --
A proliferation of signs --
Athenagoras --
Athenagoras's argument : the proemium --
Grammar and theology --
Atheism and piety "in the presence of philosopher-kings" --
The material gods --
What do we learn when we look? (part I) images, desire, and Tatian's to the Greeks --
What an image does --
The origins of images --
What you see and what you get : theorizing vision --
Images and the theological imagination : Cicero, Dio, and Maximus of Tyre --
Tatian, spectacle, and connoisseurship --
Tatian at the theater --
Tatian's grand tour --
What do we learn when we look? (part II) Aphrodite and Clement of Alexandria --
The Knidian Aphrodite and her afterlife --
Aphrodite at Knidos --
Pseudo-Lucian and the Knidia --
The Knidia and the ancient gaze --
The Knidia and Roman portraits --
Clement of Alexandria --
Alexandria, the mad, hybrid, spectacular city --
Introducing clement's Exhortation --
"They say a girl loved an image" : The exhortation on statues, piety, and desire --
Clement on the Knidian Aphrodite --
Stories of the gods : the pornographic Venus and Mars.
责任: Laura Salah Nasrallah.

摘要:

Laura Nasrallah argues that early Christian literature is best understood when read alongside the archaeological remains of Roman antiquity.  再读一些...

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Reviews of the hardback: '... provocative, convincing ... reads second-century Christian literature, texts of the Second Sophistic, and the remains of material culture as a broad corpus concerned 再读一些...

 
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