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Christina Rossetti : faith, gender, and time

Auteur : Diane D'Amico
Éditeur : Baton Rouge, La. : Louisiana State University Press, ©1999.
Édition/format :   Livre électronique : Publication gouvernementale provinciale ou d'état : AnglaisVoir toutes les éditions et tous les formats
Base de données :WorldCat
Résumé :
"Since Arthur Symons's declaration in 1895 in the Saturday Review that Christina Rossetti was "among the great poets of the nineteenth century," Rossetti's image among critics has undergone permutations as divergent as Victorian culture is from postmodern. Now Diane D'Amico redeems Rossetti from the various one-dimensional castings assigned her across the generations - those of a saint writing poetry for God; of a  Lire la suite...
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Détails

Genre/forme : Electronic books
Criticism, interpretation, etc
History
Format – détails additionnels : Print version:
D'Amico, Diane, 1951-
Christina Rossetti.
Baton Rouge, La. : Louisiana State University Press, ©1999
(DLC) 99028005
(OCoLC)41096313
Personne nommée : Christina Georgina Rossetti; Christina Georgina Rossetti; Christina Georgina Rossetti; Christina Georgina Rossetti
Type d’ouvrage : Publication gouvernementale, Publication gouvernementale provinciale ou d'état, Ressource Internet
Format : Ressource Internet, Fichier informatique
Tous les auteurs / collaborateurs : Diane D'Amico
ISBN : 0585326185 9780585326184
Numéro OCLC : 45843665
Description : 1 online resource (191 pages)
Contenu : Rossetti: the woman, the poet, and the critics --
Rossetti's response to the feminine voice of woe --
Rossetti and the convent question --
The Christian fairy-tale poems --
The fallen woman poems --
Rossetti's Eve and the woman question --
Daring to speak to others: Rossetti as a religious poet --
Conclusion: secrets.
Responsabilité : Diane D'Amico.

Résumé :

"Since Arthur Symons's declaration in 1895 in the Saturday Review that Christina Rossetti was "among the great poets of the nineteenth century," Rossetti's image among critics has undergone permutations as divergent as Victorian culture is from postmodern. Now Diane D'Amico redeems Rossetti from the various one-dimensional castings assigned her across the generations - those of a saint writing poetry for God; of a sexually repressed, neurotic woman of minor talent; and, most recently, of a subversive feminist questioning the patriarchy - and renders a fuller, more intricate understanding of the poet than any to date. With logic, balance, and clarity, D'Amico seals her case that Rossetti's faith, her gender, and the times in which she lived should all be considered to appreciate her poetic voice."--Jacket.

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Données liées


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