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Christina Rossetti : faith, gender, and time

Autore: Diane D'Amico
Editore: Baton Rouge, La. : Louisiana State University Press, ©1999.
Edizione/Formato:   eBook : Document : EnglishVedi tutte le edizioni e i formati
Banca dati:WorldCat
Sommario:
"Since Arthur Symons's declaration in 1895 in the Saturday Review that Christina Rossetti was "among the great poets of the nineteenth century," Rossetti's image among critics has undergone permutations as divergent as Victorian culture is from postmodern. Now Diane D'Amico redeems Rossetti from the various one-dimensional castings assigned her across the generations - those of a saint writing poetry for God; of a  Per saperne di più…
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Dettagli

Genere/forma: Electronic books
Criticism, interpretation, etc
History
Informazioni aggiuntive sul formato: Print version:
D'Amico, Diane, 1951-
Christina Rossetti.
Baton Rouge, La. : Louisiana State University Press, ©1999
(DLC) 99028005
(OCoLC)41096313
Persona incaricata: Christina Georgina Rossetti; Christina Georgina Rossetti; Christina Georgina Rossetti; Christina Georgina Rossetti
Tipo materiale: Document, Risorsa internet
Tipo documento Risorsa Internet, Computer file
Tutti gli autori / Collaboratori: Diane D'Amico
{0} 0585326185 9780585326184
Numero OCLC: 45843665
Descrizione: 1 online resource (191 pages)
Contenuti: Rossetti: the woman, the poet, and the critics --
Rossetti's response to the feminine voice of woe --
Rossetti and the convent question --
The Christian fairy-tale poems --
The fallen woman poems --
Rossetti's Eve and the woman question --
Daring to speak to others: Rossetti as a religious poet --
Conclusion: secrets.
Responsabilità: Diane D'Amico.

Abstract:

"Since Arthur Symons's declaration in 1895 in the Saturday Review that Christina Rossetti was "among the great poets of the nineteenth century," Rossetti's image among critics has undergone permutations as divergent as Victorian culture is from postmodern. Now Diane D'Amico redeems Rossetti from the various one-dimensional castings assigned her across the generations - those of a saint writing poetry for God; of a sexually repressed, neurotic woman of minor talent; and, most recently, of a subversive feminist questioning the patriarchy - and renders a fuller, more intricate understanding of the poet than any to date. With logic, balance, and clarity, D'Amico seals her case that Rossetti's faith, her gender, and the times in which she lived should all be considered to appreciate her poetic voice."--Jacket.

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