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Christina Rossetti : faith, gender, and time

著者: Diane D'Amico
出版: Baton Rouge, La. : Louisiana State University Press, ©1999.
エディション/フォーマット:   電子書籍 : State or province government publication : Englishすべてのエディションとフォーマットを見る
データベース:WorldCat
概要:
"Since Arthur Symons's declaration in 1895 in the Saturday Review that Christina Rossetti was "among the great poets of the nineteenth century," Rossetti's image among critics has undergone permutations as divergent as Victorian culture is from postmodern. Now Diane D'Amico redeems Rossetti from the various one-dimensional castings assigned her across the generations - those of a saint writing poetry for God; of a  続きを読む
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詳細

ジャンル/形式: Electronic books
Criticism, interpretation, etc
History
その他のフォーマット: Print version:
D'Amico, Diane, 1951-
Christina Rossetti.
Baton Rouge, La. : Louisiana State University Press, c1999
(DLC) 99028005
(OCoLC)41096313
関連の人物: Christina Georgina Rossetti; Christina Georgina Rossetti; Christina Georgina Rossetti; Christina Georgina Rossetti
資料の種類: Government publication, State or province government publication, インターネット資料
ドキュメントの種類: インターネットリソース, コンピューターファイル
すべての著者/寄与者: Diane D'Amico
ISBN: 0585326185 9780585326184
OCLC No.: 45843665
物理形態: 1 online resource (191 p.)
コンテンツ: Rossetti: the woman, the poet, and the critics --
Rossetti's response to the feminine voice of woe --
Rossetti and the convent question --
The Christian fairy-tale poems --
The fallen woman poems --
Rossetti's Eve and the woman question --
Daring to speak to others: Rossetti as a religious poet --
Conclusion: secrets.
責任者: Diane D'Amico.

概要:

"Since Arthur Symons's declaration in 1895 in the Saturday Review that Christina Rossetti was "among the great poets of the nineteenth century," Rossetti's image among critics has undergone permutations as divergent as Victorian culture is from postmodern. Now Diane D'Amico redeems Rossetti from the various one-dimensional castings assigned her across the generations - those of a saint writing poetry for God; of a sexually repressed, neurotic woman of minor talent; and, most recently, of a subversive feminist questioning the patriarchy - and renders a fuller, more intricate understanding of the poet than any to date. With logic, balance, and clarity, D'Amico seals her case that Rossetti's faith, her gender, and the times in which she lived should all be considered to appreciate her poetic voice."--BOOK JACKET.

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