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Christina Rossetti : faith, gender, and time

Autor: Diane D'Amico
Editora: Baton Rouge, La. : Louisiana State University Press, ©1999.
Edição/Formato   e-book : Documento : InglêsVer todas as edições e formatos
Base de Dados:WorldCat
Resumo:
"Since Arthur Symons's declaration in 1895 in the Saturday Review that Christina Rossetti was "among the great poets of the nineteenth century," Rossetti's image among critics has undergone permutations as divergent as Victorian culture is from postmodern. Now Diane D'Amico redeems Rossetti from the various one-dimensional castings assigned her across the generations - those of a saint writing poetry for God; of a  Ler mais...
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Detalhes

Gênero/Forma: Electronic books
Criticism, interpretation, etc
History
Formato Físico Adicional: Print version:
D'Amico, Diane, 1951-
Christina Rossetti.
Baton Rouge, La. : Louisiana State University Press, ©1999
(DLC) 99028005
(OCoLC)41096313
Pessoa Denominada: Christina Georgina Rossetti; Christina Georgina Rossetti; Christina Georgina Rossetti; Christina Georgina Rossetti
Tipo de Material: Documento, Recurso Internet
Tipo de Documento Recursos de internet, Arquivo de computador
Todos os Autores / Contribuintes: Diane D'Amico
ISBN: 0585326185 9780585326184
Número OCLC: 45843665
Descrição: 1 online resource (191 pages)
Conteúdos: Rossetti: the woman, the poet, and the critics --
Rossetti's response to the feminine voice of woe --
Rossetti and the convent question --
The Christian fairy-tale poems --
The fallen woman poems --
Rossetti's Eve and the woman question --
Daring to speak to others: Rossetti as a religious poet --
Conclusion: secrets.
Responsabilidade: Diane D'Amico.

Resumo:

"Since Arthur Symons's declaration in 1895 in the Saturday Review that Christina Rossetti was "among the great poets of the nineteenth century," Rossetti's image among critics has undergone permutations as divergent as Victorian culture is from postmodern. Now Diane D'Amico redeems Rossetti from the various one-dimensional castings assigned her across the generations - those of a saint writing poetry for God; of a sexually repressed, neurotic woman of minor talent; and, most recently, of a subversive feminist questioning the patriarchy - and renders a fuller, more intricate understanding of the poet than any to date. With logic, balance, and clarity, D'Amico seals her case that Rossetti's faith, her gender, and the times in which she lived should all be considered to appreciate her poetic voice."--Jacket.

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