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Christina Rossetti : faith, gender, and time

作者: Diane D'Amico
出版商: Baton Rouge, La. : Louisiana State University Press, ©1999.
版本/格式:   電子書 : 州政府或者省政府刊物 : 英語所有版本和格式的總覽
資料庫:WorldCat
提要:
"Since Arthur Symons's declaration in 1895 in the Saturday Review that Christina Rossetti was "among the great poets of the nineteenth century," Rossetti's image among critics has undergone permutations as divergent as Victorian culture is from postmodern. Now Diane D'Amico redeems Rossetti from the various one-dimensional castings assigned her across the generations - those of a saint writing poetry for God; of a  再讀一些...
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詳細書目

類型/形式: Electronic books
Criticism, interpretation, etc
History
其他的實體格式: Print version:
D'Amico, Diane, 1951-
Christina Rossetti.
Baton Rouge, La. : Louisiana State University Press, c1999
(DLC) 99028005
(OCoLC)41096313
提及的人: Christina Georgina Rossetti; Christina Georgina Rossetti; Christina Georgina Rossetti; Christina Georgina Rossetti
資料類型: 政府刊物, 州政府或者省政府刊物, 網際網路資源
文件類型: 網路資源, 電腦資料
所有的作者/貢獻者: Diane D'Amico
ISBN: 0585326185 9780585326184
OCLC系統控制編碼: 45843665
描述: 1 online resource (191 p.)
内容: Rossetti: the woman, the poet, and the critics --
Rossetti's response to the feminine voice of woe --
Rossetti and the convent question --
The Christian fairy-tale poems --
The fallen woman poems --
Rossetti's Eve and the woman question --
Daring to speak to others: Rossetti as a religious poet --
Conclusion: secrets.
責任: Diane D'Amico.

摘要:

"Since Arthur Symons's declaration in 1895 in the Saturday Review that Christina Rossetti was "among the great poets of the nineteenth century," Rossetti's image among critics has undergone permutations as divergent as Victorian culture is from postmodern. Now Diane D'Amico redeems Rossetti from the various one-dimensional castings assigned her across the generations - those of a saint writing poetry for God; of a sexually repressed, neurotic woman of minor talent; and, most recently, of a subversive feminist questioning the patriarchy - and renders a fuller, more intricate understanding of the poet than any to date. With logic, balance, and clarity, D'Amico seals her case that Rossetti's faith, her gender, and the times in which she lived should all be considered to appreciate her poetic voice."--BOOK JACKET.

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