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The cinema of Lars von Trier : authenticity and artifice

著者: Caroline Bainbridge
出版: London ; New York : Wallflower Press, 2007.
シリーズ: Directors' cuts.
エディション/フォーマット:   book_printbook : Englishすべてのエディションとフォーマットを見る
データベース:WorldCat
概要:
"Lars von Trier is the most controversial figure of contemporary European cinema. This volume is the first book to analyse in depth the changes he has brought to modern film. Since founding the back-to-basics Dogme philosophy of filmmaking in 1995, von Trier's name has become a by-word for taboo-breaking cinema. As a director, he has courted media controversy through films such as The Idiots (1998), with its  続きを読む
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詳細

ジャンル/形式: Criticism, interpretation, etc
その他のフォーマット: Online version:
Bainbridge, Caroline, 1970-
Cinema of Lars von Trier.
London ; New York : Wallflower Press, 2007
(OCoLC)648788157
関連の人物: Lars von Trier; Lars von Trier; Lars von Trier; Lars von Trier
資料の種類: インターネット資料
ドキュメントの種類: 図書, インターネットリソース
すべての著者/寄与者: Caroline Bainbridge
ISBN: 1905674449 9781905674442 9781905674435 1905674430
OCLC No.: 180496744
物理形態: x, 210 pages : illustrations ; 24 cm.
コンテンツ: From 'enfant terrible' to 'punk auteur' : an evolution of technique and style --
The 'Europa' trilogy. Visions of history ; Ethics, idealism and identity --
Transformations : TV/film. Reading The kingdom : authenticity, artifice and the postmodern struggle --
Dogme 95 and the 'Gold heart' trilogy. A new vision? : Dogme 95 and the digital revolution ; Narrative structure, narrative codes and questions of genre and spectatorship ; Screening difference in the 'Gold heart' trilogy --
Experimentation at the boundaries. A trilogy in the making : Dogville and Manderlay ; From provocateur to puppeteer : The five obstructions, The boss of it all and the Advance party --
Appendix : statements and manifestos.
シリーズタイトル: Directors' cuts.
責任者: Caroline Bainbridge.

概要:

"Lars von Trier is the most controversial figure of contemporary European cinema. This volume is the first book to analyse in depth the changes he has brought to modern film. Since founding the back-to-basics Dogme philosophy of filmmaking in 1995, von Trier's name has become a by-word for taboo-breaking cinema. As a director, he has courted media controversy through films such as The Idiots (1998), with its unsimulated sex and non-conformist politics, and through his complex relationships with actresses such as Björk and Nicole Kidman, from whom he coaxed career-best performances in Dancer in the Dark (2000) and Dogville (2003) respectively. Analysing these films as well as recent works such as The Five Obstructions (2004) and The Boss of it All (2006), it forges a new understanding of the founder of Dogme 95 as a great democratiser of cinema in the digital age, presenting von Trier as one of the most daring cinematic exponents of postmodern politics and satire."--Book cover.

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