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The cinema of Martin Scorsese

Auteur : Lawrence S Friedman
Éditeur : New York : Continuum, 1997.
Édition/format :   Livre : AnglaisVoir toutes les éditions et les formats
Base de données :WorldCat
Résumé :
Scorsese is one of America's most distinctive and successful filmmakers. For twenty-five years, he has provided audiences with tough, gritty, yet beautifully composed movies - many of them all-time classics. From the urban violence, psychosis, and isolation of Mean Streets, Taxi Driver, The King of Comedy, and Goodfellas, through the opulent lyricism of The Age of Innocence, to the operatic and controversial Raging
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Détails

Format – détails additionnels : Online version:
Friedman, Lawrence S.
Cinema of Martin Scorsese.
New York : Continuum, 1997
(OCoLC)645923940
Personne nommée : Martin Scorsese; Martin Scorsese; Martin Scorsese
Format : Livre
Tous les auteurs / collaborateurs : Lawrence S Friedman
ISBN : 0826410049 9780826410047
Numéro OCLC : 35777328
Description : 200 p. : ill. ; 24 cm.
Contenu : Flashbacks : an auteur is born --
Our gang : from Elizabeth street to Mean streets --
The way west : making it in Hollywood --
Apocalypse and after : God's lonely man --
The sound(s) of music : from the bands to the band --
That's entertainment : performance as destiny --
Staying alive : other people's projects --
Beat the devil : man and superman --
Millennium approaches : something(s) old, something(s) new...
Responsabilité : Lawrence S. Friedman.

Résumé :

Scorsese is one of America's most distinctive and successful filmmakers. For twenty-five years, he has provided audiences with tough, gritty, yet beautifully composed movies - many of them all-time classics. From the urban violence, psychosis, and isolation of Mean Streets, Taxi Driver, The King of Comedy, and Goodfellas, through the opulent lyricism of The Age of Innocence, to the operatic and controversial Raging Bull and The Last Temptation of Christ, Scorsese has not compromised his vision of the human heart and its struggles.

Scorsese has wrestled hard with his ambivalence over the legacy of his Catholicism. As a second-generation Sicilian-American, he also has had to come to grips with the stereotypes of organized crime while recognizing the dramatic interest of these fascinating and complex characters. In this book, each of Scorsese's films is thoughtfully discussed in a way that will help readers understand these and other themes in order to discern the overall patterns of the filmmaker's career.

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