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The cinema of Steven Soderbergh : indie sex, corporate lies, and digital videotape

Author: Andrew DeWaard; R Colin Tait
Publisher: London ; New York : Wallflower, 2013.
Series: Directors' cuts.
Edition/Format:   eBook : Document : EnglishView all editions and formats
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Genre/Form: Electronic books
History
Material Type: Document, Internet resource
Document Type: Internet Resource, Computer File
All Authors / Contributors: Andrew DeWaard; R Colin Tait
ISBN: 9780231850391 0231850395
OCLC Number: 859158598
Description: 1 online resource (xiv, 188 pages) : illustrations.
Contents: AcknowledgementsPreface by Thomas SchatzIntroductionPart One: Author, Brand, Guerrilla1. The Dialectical Signature: Soderbergh as Classical Auteur2. Impresario of Indiewood: Soderbergh as Sellebrity Auteur3. Corporate Revolutionary: Soderbergh as Guerrilla AuteurPart Two: History, Memory, Text4. Searching Low and High: The Limey and the Schizophrenic Detective5. Returning to the Scene of the Crime: Solaris and the Psychoanalytic Detective6. The (Bl)end of History: The Good German and the Intertextual DetectivePart Three: Crime, Capital, Globalisation7. Genre and Capital: New Crime Wave in the 1990s8. The Ethical Heist: Competing Modes of Capital in the Ocean's Trilogy9. Trafficking Social Change: The Global Social Problem Film in the 2000sConclusionFilmographyBibliographyIndex
Series Title: Directors' cuts.
Responsibility: Andrew deWaard & R. Colin Tait.

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[An] excellent book on this maverick, shape-shifting filmmaker... Immaculately researched and illustrated with frame blowups throughout the text, the volume is an important contribution to the Read more...

 
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