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The city's end : two centuries of fantasies, fears, and premonitions of New York's destruction

Autor: Max Page
Editorial: New Haven : Yale University Press, ©2008.
Edición/Formato:   Libro : Inglés (eng)Ver todas las ediciones y todos los formatos
Base de datos:WorldCat
Resumen:
"Max Page examines the destruction fantasies created by American writers and imagemakers at various stages of New York's development. Seen in every medium from newspapers and films to novels, paintings, and computer software, such images, though disturbing, have been continuously popular. Page demonstrates with vivid examples and illustrations how each era's destruction genre has reflected the city's economic,  Leer más
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Tipo de material: Recurso en Internet
Tipo de documento: Libro/Texto, Recurso en Internet
Todos autores / colaboradores: Max Page
ISBN: 9780300110265 030011026X
Número OCLC: 189666685
Descripción: 271 pages, [16] pages of plates : illustrations (some color), map ; 27 cm
Contenido: Beauty and terror --
"Horrors were their delight" : terrifying and thrilling wars at home and invasions from abroad --
Utopian and dystopian fantasies of the "Stone Colossus" in the 1920s and 1930s --
"Falls Rome, falls the world" : atomic fears of the 1940s and 1950s --
Escape from New York : fictions of a city's decline and rebirth --
The future of the city's end : New York and its fantasies after 9/11.
Responsabilidad: Max Page.
Más información:

Resumen:

Why have Americans repeatedly imagined New York's destruction? What do the fantasies of annihilation played out in virtually every form of literature and art mean? This book investigates two  Leer más

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""The City's End" explores the imaginative and often profitable ways that filmmakers, writers, and artists have blown up, incinerated, drowned or depopulated New York City. . . . Page thoughtfully Leer más

 
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Datos enlazados


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schema:reviewBody""Max Page examines the destruction fantasies created by American writers and imagemakers at various stages of New York's development. Seen in every medium from newspapers and films to novels, paintings, and computer software, such images, though disturbing, have been continuously popular. Page demonstrates with vivid examples and illustrations how each era's destruction genre has reflected the city's economic, political, racial, or physical tensions, and he also shows how the images have become forces in their own right, shaping Americans' perceptions of New York and of cities in general."--Jacket."
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