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Claes Oldenburg drawings, 1959-1977 : Claes Oldenburg with Coosje van Bruggen drawings, 1992-1998 in the Whitney Museum of American Art 資料のプレビュー
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Claes Oldenburg drawings, 1959-1977 : Claes Oldenburg with Coosje van Bruggen drawings, 1992-1998 in the Whitney Museum of American Art

著者: Janie C Lee; Claes Oldenburg; Coosje van Bruggen; Whitney Museum of American Art.
出版: New York : The Museum : Distributed by H.N. Abrams, 2002.
エディション/フォーマット:   書籍 : Englishすべてのエディションとフォーマットを見る
データベース:WorldCat
概要:
"Best known for recasting familiar objects in unfamiliar textures, media, and dimensions, Claes Oldenburg has long challenged his audience to rethink the everyday with works such as French Fries and Ketchup (1963) and Soft Toilet (1966). Oldenburg's masterful drawings reveal another facet of this pioneering artist, inviting viewers to enter his "fantasy' as they explore Oldenburg's relationship with the medium, from  続きを読む
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ジャンル/形式: New York (NY, 2002)
Exhibitions
Expositions
その他のフォーマット: Online version:
Lee, Janie C.
Claes Oldenburg drawings, 1959-1977.
New York : The Museum : Distributed by H.N. Abrams, 2002
(OCoLC)606882087
Online version:
Lee, Janie C.
Claes Oldenburg drawings, 1959-1977.
New York : The Museum : Distributed by H.N. Abrams, 2002
(OCoLC)609226433
関連の人物: Claes Oldenburg; Coosje van Bruggen; Claes Oldenburg; Coosje van Bruggen; Claes Oldenburg
ドキュメントの種類: 図書
すべての著者/寄与者: Janie C Lee; Claes Oldenburg; Coosje van Bruggen; Whitney Museum of American Art.
ISBN: 0810968339 9780810968332
OCLC No.: 48588399
形態 224 p. : chiefly ill. (chiefly col.) ; 27 cm.
コンテンツ: Interview with Claes Oldenburg / Janie C. Lee 17.
他のタイトル: Claes Oldenburg with Coosje van Bruggen
責任者: Janie C. Lee.

概要:

"Best known for recasting familiar objects in unfamiliar textures, media, and dimensions, Claes Oldenburg has long challenged his audience to rethink the everyday with works such as French Fries and Ketchup (1963) and Soft Toilet (1966). Oldenburg's masterful drawings reveal another facet of this pioneering artist, inviting viewers to enter his "fantasy' as they explore Oldenburg's relationship with the medium, from sensitive early explorations to veteran campaigns as a refined and accomplished draftsman." "Drawing is crucial to Oldenburg's art: drawings note the beginning of an idea; they develop the thought; they give birth to his sculptures. The medium offers a flexibility particularly suited to the artist's extraordinary visions, enhancing the effectiveness of his manipulations of scale and perspective in sculpture. Pieces such as Proposed Colossal Monument for Central Park North, N.Y.C.- Teddy Bear (1965); Various Positions of a Giant Lipstick to Replace the Fountain of Eros, Piccadilly Circus, London (1966); Proposal for a Cathedral in the Form of a Colossal Faucet, Lake Union, Seattle (1972); and Blueberry Pie a la Mode, Sliding down a Hill (1996) usher viewers into a chimerical world of the mundane made significant."--BOOK JACKET.

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