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Claiming the real II : documentary : Grierson and beyond

Author: Brian Winston
Publisher: London : BFI ; New York, NY : Palgrave Macmillan, 2008.
Edition/Format:   Book : English : 2nd ed., Rev. and updated edView all editions and formats
Database:WorldCat
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Genre/Form: Criticism, interpretation, etc
Named Person: John Grierson; John Grierson
Material Type: Internet resource
Document Type: Book, Internet Resource
All Authors / Contributors: Brian Winston
ISBN: 9781844572724 1844572722 1844572714 9781844572717 1844572420 9781844572427
OCLC Number: 288986599
Notes: Previous edition: 1995.
Description: vi, 336 pages : illustrations ; 24 cm
Contents: pt. I. Creative treatment of actuality --
1. The documentary and CGI --
2. The documentary film in 1914 --
3. The documentary as the creative treatment of actuality --
pt. II. Creative : documentary as art --
4. Photography as art --
5. The documentarist as explorer/artist --
6. The Griersonian artist --
7. Documentary film and realist painting --
8. The politics of realism --
9. Running wway from social meaning --
10. Poor, suffering characters : victims and problem moments --
11. Serious-minded chaps : politics and poetics --
12. He never used the word revolution --
13. To command, and cumulatively command, the mind of a generation --
14. Running away from social meaning in America --
15. Staatspolitisch besonders wertvoll --
16. To win new comrades for the cause --
17. A curious comment --
pt. III. Treatment : documentary as drama --
18. Life as narrativised --
19. Chrono-logic --
20. Non-narrative : works better in the head than on the screen --
21. Sincere and justifiable reconstruction --
pt. IV. Actuality : documentary as science --
22. Photography as science --
23. Science as inscription --
24. Evidence in the law --
25. Technologising the documentary agenda --
26. Documentary as scientific inscription : film as evidence --
27. Moments of revelation --
28. This objective-subjective stuff is a lot of bullshit --
29. Kinopravda --
30. Film as ethnography --
31. Film as truth --
32. The principles of visual anthropology --
33. Flies in the soup : the influence of cinema verite --
34. Flies on the wall : the influence of direct cinema --
pt. V. The post-Griersonian documentary? --
35. The naturalistic illusion --
36. The battlefields of epistemology --
37. The difference that makes a difference --
38. What constraints? --
39. The voluntary consent of the human subject --
40. What interests the public --
41. The nadir of human achievement --
42. The post-Griersonian documentary : a tour d'horizon --
43. The post-Griersonian documentary : the farther shore --
44. Do not be afraid ...
Other Titles: Claiming the real two
Responsibility: Brian Winston.
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