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Claiming the real : the Griersonian documentary and its legitimations

Autore: Brian Winston; British Film Institute.
Editore: London : British Film Institute, 1995.
Edizione/Formato:   Libro : EnglishVedi tutte le edizioni e i formati
Banca dati:WorldCat
Sommario:
This work rewrites the history of documentary film to take account of technological change. Winston explores the role of such figures as Grierson, Flaherty and Dziga Vertov, and examines both the principles and practice of the major movements in documentary, such as "cinema verite"
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Genere/forma: Criticism, interpretation, etc
Informazioni aggiuntive sul formato: Online version:
Winston, Brian.
Claiming the real.
London : British Film Institute, 1995
(OCoLC)624405899
Persona incaricata: John Grierson; John Grierson; John Grierson; John Grierson; John Grierson; John Grierson
Tipo documento: Book
Tutti gli autori / Collaboratori: Brian Winston; British Film Institute.
ISBN: 0851704638 9780851704630 0851704646 9780851704647
Numero OCLC: 32747354
Descrizione: 301 p. ; 24 cm.
Contenuti: Pt. 1. The Creative Treatment of Actuality. 1. The Documentary, Scitex and Harry. 2. The Documentary Film in 1914. 3. The Documentary as the Creative Treatment of Actuality --
Pt. 2. Creative: Documentary as Art. 4. Photography as Art. 5. The Documentarist as Explorer/Artist. 6. The Griersonian Artist. 7. Documentary Film and Realist Painting. 8. The Politics of Realism. 9. Running Away from Social Meaning. 10. Poor, Suffering Characters: Victims and Problem Moments. 11. Serious-Minded Chaps: Politics and Poetics. 12. He Never Used the Word Revolution. 13. To Command, and Cumulatively Command, the Mind of a Generation. 14. Running Away from Social Meaning in America. 15. Staatspolitisch Besonders Wertvoll. 16. To Win New Comrades for the Cause. 17. A Curious Comment --
Pt. 3. Treatment: Documentary as Drama. 18. Life as Narrativised. 19. Chrono-Logic. 20. Non-Narrative: Works Better in the Head than on the Screen. 21. Sincere and Justifiable Reconstruction.
Responsabilità: Brian Winston.
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Abstract:

This work rewrites the history of documentary film to take account of technological change. Winston explores the role of such figures as Grierson, Flaherty and Dziga Vertov, and examines both the  Per saperne di più…

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