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Claiming the real : the Griersonian documentary and its legitimations

Autor: Brian Winston; British Film Institute.
Editora: London : British Film Institute, 1995.
Edição/Formato   Livro : InglêsVer todas as edições e formatos
Base de Dados:WorldCat
Resumo:
This work rewrites the history of documentary film to take account of technological change. Winston explores the role of such figures as Grierson, Flaherty and Dziga Vertov, and examines both the principles and practice of the major movements in documentary, such as "cinema verite."
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Gênero/Forma: Criticism, interpretation, etc
Formato Físico Adicional: Online version:
Winston, Brian.
Claiming the real.
London : British Film Institute, 1995
(OCoLC)624405899
Pessoa Denominada: John Grierson; John Grierson; John Grierson; John Grierson; John Grierson; John Grierson
Tipo de Documento: Livro
Todos os Autores / Contribuintes: Brian Winston; British Film Institute.
ISBN: 0851704638 9780851704630 0851704646 9780851704647
Número OCLC: 32747354
Descrição: 301 pages ; 24 cm
Conteúdos: pt. 1. The Creative Treatment of Actuality. 1. The Documentary, Scitex and Harry. 2. The Documentary Film in 1914. 3. The Documentary as the Creative Treatment of Actuality --
pt. 2. Creative: Documentary as Art. 4. Photography as Art. 5. The Documentarist as Explorer/Artist. 6. The Griersonian Artist. 7. Documentary Film and Realist Painting. 8. The Politics of Realism. 9. Running Away from Social Meaning. 10. Poor, Suffering Characters: Victims and Problem Moments. 11. Serious-Minded Chaps: Politics and Poetics. 12. He Never Used the Word Revolution. 13. To Command, and Cumulatively Command, the Mind of a Generation. 14. Running Away from Social Meaning in America. 15. Staatspolitisch Besonders Wertvoll. 16. To Win New Comrades for the Cause. 17. A Curious Comment --
pt. 3. Treatment: Documentary as Drama. 18. Life as Narrativised. 19. Chrono-Logic. 20. Non-Narrative: Works Better in the Head than on the Screen. 21. Sincere and Justifiable Reconstruction.
Responsabilidade: Brian Winston.
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Resumo:

This work rewrites the history of documentary film to take account of technological change. Winston explores the role of such figures as Grierson, Flaherty and Dziga Vertov, and examines both the  Ler mais...

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