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Claiming the real : the Griersonian documentary and its legitimations

ผู้แต่ง: Brian Winston; British Film Institute.
สำนักพิมพ์: London : British Film Institute, 1995.
ครั้งที่พิมพ์/รูปแบบ:   Print book : ภาษาอังกฤษดูครั้งที่พิมพ์และรูปแบบ
ฐานข้อมูล:WorldCat
สรุป:
This work rewrites the history of documentary film to take account of technological change. Winston explores the role of such figures as Grierson, Flaherty and Dziga Vertov, and examines both the principles and practice of the major movements in documentary, such as "cinema verite."
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ประเภท/แบบฟอร์ม Criticism, interpretation, etc
รูปแบบทางกายภาพเพิ่มเติม Online version:
Winston, Brian.
Claiming the real.
London : British Film Institute, 1995
(OCoLC)624405899
ชื่อบุคคล: John Grierson; John Grierson; John Grierson; John Grierson; John Grierson; John Grierson; John Grierson
ประเภทของเอกสาร: หนังสือ
ผู้แต่งทั้งหมด : ผู้แต่งร่วม Brian Winston; British Film Institute.
ISBN: 0851704638 9780851704630 0851704646 9780851704647
OCLC Number: 32747354
คำอธิบาย: 301 pages ; 24 cm
สารบัญ: pt. 1. The Creative Treatment of Actuality. 1. The Documentary, Scitex and Harry. 2. The Documentary Film in 1914. 3. The Documentary as the Creative Treatment of Actuality --
pt. 2. Creative: Documentary as Art. 4. Photography as Art. 5. The Documentarist as Explorer/Artist. 6. The Griersonian Artist. 7. Documentary Film and Realist Painting. 8. The Politics of Realism. 9. Running Away from Social Meaning. 10. Poor, Suffering Characters: Victims and Problem Moments. 11. Serious-Minded Chaps: Politics and Poetics. 12. He Never Used the Word Revolution. 13. To Command, and Cumulatively Command, the Mind of a Generation. 14. Running Away from Social Meaning in America. 15. Staatspolitisch Besonders Wertvoll. 16. To Win New Comrades for the Cause. 17. A Curious Comment --
pt. 3. Treatment: Documentary as Drama. 18. Life as Narrativised. 19. Chrono-Logic. 20. Non-Narrative: Works Better in the Head than on the Screen. 21. Sincere and Justifiable Reconstruction.
ความรับผิดชอบ: Brian Winston.
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This work rewrites the history of documentary film to take account of technological change. Winston explores the role of such figures as Grierson, Flaherty and Dziga Vertov, and examines both the  อ่านมากขึ้น…

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