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Claiming the real : the Griersonian documentary and its legitimations

作者: Brian Winston; British Film Institute.
出版商: London : British Film Institute, 1995.
版本/格式:   圖書 : 英語所有版本和格式的總覽
資料庫:WorldCat
提要:
This work rewrites the history of documentary film to take account of technological change. Winston explores the role of such figures as Grierson, Flaherty and Dziga Vertov, and examines both the principles and practice of the major movements in documentary, such as "cinema verite"
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類型/形式: Criticism, interpretation, etc
其他的實體格式: Online version:
Winston, Brian.
Claiming the real.
London : British Film Institute, 1995
(OCoLC)624405899
提及的人: John Grierson; John Grierson; John Grierson; John Grierson; John Grierson; John Grierson
文件類型: 圖書
所有的作者/貢獻者: Brian Winston; British Film Institute.
ISBN: 0851704638 9780851704630 0851704646 9780851704647
OCLC系統控制編碼: 32747354
描述: 301 p. ; 24 cm.
内容: Pt. 1. The Creative Treatment of Actuality. 1. The Documentary, Scitex and Harry. 2. The Documentary Film in 1914. 3. The Documentary as the Creative Treatment of Actuality --
Pt. 2. Creative: Documentary as Art. 4. Photography as Art. 5. The Documentarist as Explorer/Artist. 6. The Griersonian Artist. 7. Documentary Film and Realist Painting. 8. The Politics of Realism. 9. Running Away from Social Meaning. 10. Poor, Suffering Characters: Victims and Problem Moments. 11. Serious-Minded Chaps: Politics and Poetics. 12. He Never Used the Word Revolution. 13. To Command, and Cumulatively Command, the Mind of a Generation. 14. Running Away from Social Meaning in America. 15. Staatspolitisch Besonders Wertvoll. 16. To Win New Comrades for the Cause. 17. A Curious Comment --
Pt. 3. Treatment: Documentary as Drama. 18. Life as Narrativised. 19. Chrono-Logic. 20. Non-Narrative: Works Better in the Head than on the Screen. 21. Sincere and Justifiable Reconstruction.
責任: Brian Winston.
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This work rewrites the history of documentary film to take account of technological change. Winston explores the role of such figures as Grierson, Flaherty and Dziga Vertov, and examines both the  再讀一些...

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