跳到内容
Classical form : a theory of formal functions for the instrumental music of Haydn, Mozart, and Beethoven 预览资料
关闭预览资料
正在查...

Classical form : a theory of formal functions for the instrumental music of Haydn, Mozart, and Beethoven

著者: William Earl Caplin
出版商: New York : Oxford University Press, 1998.
版本/格式:   图书 : 英语查看所有的版本和格式
数据库:WorldCat
提要:
When we listen to a Mozart piano sonata or a Haydn symphony, how do we know where we are from one moment to the next? How can we tell what parts of the piece belong to one another, or where the boundaries are? These are the questions raised and answered in William Caplin's Classical Form: A Theory of Formal Functions for the Instrumental Music of Haydn, Mozart, and Beethoven.
评估:

(尚未评估) 0 附有评论 - 争取成为第一个。

主题
更多类似这样的

 

在图书馆查找

&AllPage.SpinnerRetrieving; 正在查找有这资料的图书馆...

详细书目

提及的人: Joseph Haydn; Wolfgang Amadeus Mozart; Ludwig van Beethoven; Joseph Haydn; Wolfgang Amadeus Mozart; Ludwig van Beethoven
文件类型:
所有的著者/提供者: William Earl Caplin
ISBN: 0195104803 9780195104806 9780195143997 019514399X
OCLC号码: 37030388
描述: xii, 307 p. : music ; 29 cm.
内容: Some Basic Formal Functions: An Overview --
Sentence --
Period --
Small Ternary --
Framing Functions --
Interthematic Functions: A Sonata Exposition --
Fundamental Progressions of Harmony --
Harmonic Functions --
Harmonic Progressions --
Tight-Knit Themes --
Sentence --
Presentation Phrase --
Continuation Phrase --
Period --
Antecedent Phrase --
Consequent Phrase --
Deviations from the Norm --
Hybrid Themes and Compound Themes --
Hybrid Themes --
Compound Themes --
Small Ternary --
Exposition --
Contrasting Middle --
Recapitulation --
Tight-Knit Versus Loose Organization --
Small Binary --
First Part --
Second Part --
Looser Formal Regions --
Subordinate Theme --
Looser Sentential Functions --
Additional Loosening Techniques --
Multiple Subordinate Themes --
Closing Section --
Dynamic Curve of Subordinate Theme --
Transition --
Modulating Versus Nonmodulating Transitions --
Beginning the Transition --
Ending the Transition --
Two-Part Transition --
Development --
Tonal Organization --
Pre-Core/Core Technique --
Development Sections Without a Core --
Retransition --
Recapitulation --
Main Theme --
Transition --
Fusion of Main Theme and Transition --
Subordinate Theme (Group) --
Additional features --
Deviations from the Norm --
Coda --
Start of the Coda --
Phrase-Structural Organization --
Compensatory Functions --
Sonata Form --
Overall Tonal Organization --
Cadential Goals in the Exposition --
Main Theme --
Obscured Boundary Between Transition and Subordinate Theme --
Slow Introduction --
Slow-Movement Forms --
Sonata Form in Slow Movements --
Large Ternary --
Sonata Without Development --
Theme and Variations --
Minuet/Trio Form --
Minute Form --
Trio --
Rondo Forms --
Five-Part Rondo --
Sonata-Rondo --
Concerto Form --
Opening Ritornello --
Solo Exposition --
Subordinate-Key Ritornello --
Solo Development --
Solo Recapitulation --
Closing Ritornello.
责任: William E. Caplin.
更多信息:

摘要:

Introducing a new theory of musical form for the analysis of instrumental music of the classical style. The book provides a broad set of principles and a comprehensive methodology for analysing  再读一些...

评论

社评

出版商概要

This ambitious book offers nothing less than a new theory of form for the music of the Classical period ... In its combination of scholarship, musicality and sheer common sense, Caplan's Classical 再读一些...

 
用户提供的评论
正在获取GoodReads评论...
正在检索DOGObooks的评论

标签

争取是第一个!
确认申请

你可能已经申请过这份资料。如果还是想申请,请选确认。

链接数据


<http://www.worldcat.org/oclc/37030388>
library:oclcnum"37030388"
library:placeOfPublication
library:placeOfPublication
owl:sameAs<info:oclcnum/37030388>
rdf:typeschema:Book
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
<http://viaf.org/viaf/95146280>
rdf:typeschema:Person
schema:birthDate"1770"
schema:birthDate"1756"
schema:deathDate"1827"
schema:deathDate"1791"
schema:familyName"Mozart"
schema:familyName"Beethoven"
schema:givenName"Wolfgang Amadeus"
schema:givenName"Ludwig van"
schema:name"Beethoven, Ludwig van, 1770-1827"
schema:name"Mozart, Wolfgang Amadeus, 1756-1791"
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
<http://id.loc.gov/authorities/subjects/sh85066774>
rdf:typeschema:Intangible
schema:name"Instrumental music--19th century--Analysis, appreciation."@en
schema:about
schema:about
schema:about
<http://id.worldcat.org/fast/974415>
rdf:typeschema:Intangible
schema:name"Instrumental music--Analysis, appreciation"@en
schema:about
schema:about
<http://id.loc.gov/authorities/subjects/sh2009127285>
rdf:typeschema:Intangible
schema:name"Instrumental music--18th century--Analysis, appreciation."@en
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:creator
schema:datePublished"1998"
schema:description"When we listen to a Mozart piano sonata or a Haydn symphony, how do we know where we are from one moment to the next? How can we tell what parts of the piece belong to one another, or where the boundaries are? These are the questions raised and answered in William Caplin's Classical Form: A Theory of Formal Functions for the Instrumental Music of Haydn, Mozart, and Beethoven."@en
schema:exampleOfWork<http://worldcat.org/entity/work/id/793990937>
schema:genre"History"@en
schema:genre"Criticism, interpretation, etc."@en
schema:inLanguage"en"
schema:name"Classical form : a theory of formal functions for the instrumental music of Haydn, Mozart, and Beethoven"@en
schema:numberOfPages"307"
schema:publisher
schema:url
schema:workExample
schema:workExample

Content-negotiable representations

关闭窗口

请登入WorldCat 

没有张号吗?很容易就可以 建立免费的账号.