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Classical music : the era of Haydn, Mozart, and Beethoven

著者: Philip G Downs
出版商: New York : W.W. Norton, 1992.
丛书: Norton introduction to music history.
版本/格式:   打印图书 : 英语查看所有的版本和格式
提要:
"The latest volume in the Norton Introduction to Music History series focuses on the rise and decline of the Classical style, which flourished from the middle of the eighteenth century to the second decade of the nineteenth. The author demonstrates the enormous diversity and constant change that characterized music and musical life during this period. Downs eschews the usual stylistic labels, such as Rococo and High  再读一些...
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详细书目

类型/形式: Criticism, interpretation, etc
提及的人: Joseph Haydn; Wolfgang Amadeus Mozart; Ludwig van Beethoven; Joseph Haydn; Wolfgang Amadeus Mozart; Ludwig van Beethoven; Ludwig van Beethoven; Joseph Haydn; Wolfgang Amadeus Mozart; Joseph Haydn; Wolfgang Amadeus Mozart; Ludwig van Beethoven
材料类型: 互联网资源
文档类型 图书, 互联网资源
所有的著者/提供者: Philip G Downs
ISBN: 039395191X 9780393951912
OCLC号码: 25317243
描述: xvi, 697 pages : illustrations ; 25 cm.
内容: The transition from Baroque: music to 1760. The background to eighteenth-century thought --
The musician in society --
Music for private performance --
Music for public performance --
Words and music on the stage --
Embracing the new style: music 1760-80. The social and philosophical milieu --
The musician's livelihood --
Music in the home --
Concert and church music --
Opera --
Haydn, the developing master. The early years: 1732-60 --
The first Esterházy years: to 1770 --
The great stylistic break: 1770-79 --
Mozart, genius apparent. The wunderkind years: 1756-73 --
Early style --
The "Colloredo" years: 1773-81 --
The high Salzburg style --
The classical style at its apogee: 1780-1800. Years of revolution and change --
The changing status of the musician --
Solo and chamber music --
The preeminence of the symphony and the concerto --
The various faces of musical theater --
Haydn, the acknowledge master. The last years at Esterháza: 1780-90 --
Freedom at last --
Mozart, genius achieved. The last ten years: 1781-91 --
The great works of the final decade --
Beethoven: 1770-1827. The giant astride the centuries --
The entire oeuvre --
The eighteenth-century heritage at work in the early nineteenth century. Post-revolutionary changes in society and the arts --
The business and the institution of music --
Chamber music in the concert hall --
The loss of intimacy: performance triumphant.
丛书名: Norton introduction to music history.
责任: Philip G Downs.

摘要:

In this, the fourth volume in the Norton Introduction to Music History series, Philip Downs traces the rise and decline of the "Classical" style from the birth of Haydn (1732) to the death of  再读一些...

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    schema:reviewBody ""The latest volume in the Norton Introduction to Music History series focuses on the rise and decline of the Classical style, which flourished from the middle of the eighteenth century to the second decade of the nineteenth. The author demonstrates the enormous diversity and constant change that characterized music and musical life during this period. Downs eschews the usual stylistic labels, such as Rococo and High Classic, and instead organizes the text into short time spans. Within each, he looks to the social conditions and daily life of the musician, the aesthetics and audience preference in structures, performing combinations, and performing styles. The minor composers, or kleinmeister, are carefully observed, since they most accurately mirror their times. On the other hand, the giants, who left their mark on music for all time, receive full biographical scrutiny at each stage of their development."--BOOK JACKET. "The book begins with the transition from the Baroque up to 1760 and the burgeoning new style that developed in the next two decades. The author then focuses on the early years of Haydn and Mozart before giving full treatment to the last twenty years of the eighteenth century, which saw the Classical style reach its apogee. Downs returns to the mature Haydn and deals with the last decade of Mozart's life, and finally considers Beethoven's musical origins and accomplishments. He concludes by documenting the eighteenth-century heritage at work in the early nineteenth century."--BOOK JACKET. "Copiously illustrated, with abundant music examples, this fascinating survey provides invaluable insights into the period that produced some of the most astonishing music ever written."--BOOK JACKET." ;
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