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Claude Chabrol, l'entomologiste = Claude Chabrol, the entomologist

Autor: Claude ChabrolJean DouchetMaurice PerrimondAndre LabartheFrench American Cultural Services & Educational Aid.Todos autores
Editorial: [United States] : Society for French American Cultural Services & Educational Aid (FACSEA), 1990.
Serie: Cinema de notre temps =; Cinema in our time; Eclairage, a collection of French feature and documentary films; Cinema de notre temps.
Edición/Formato:   Video VHS : Cinta VHS   Material visual : Francés (fre)Ver todas las ediciones y todos los formatos
Base de datos:WorldCat
Resumen:
In this 1990 interview with Jean Douchet, Claude Chabrol speculates on the fundamental characteristics of his vision: his refusal of romanticism and of emotional manipulation, his taste for classic direction and his interest in the social fabric. During the interview, clips of his films play on a television in the background.
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Detalles

Género/Forma: Interviews
Persona designada: Claude Chabrol; Claude Chabrol
Tipo de material: Grabación de video
Tipo de documento: Material visual
Todos autores / colaboradores: Claude Chabrol; Jean Douchet; Maurice Perrimond; Andre Labarthe; French American Cultural Services & Educational Aid.; Institut national de la communication audiovisuelle (France); Sept Cinéma (Firm)
Número OCLC: 82838688
Notas: French with English subtitles.
Title on container and cassette: Claude Chabrol ou l'entomologiste Claude Chabrol or the entomologist.
"V-0972"--Cassette.
Créditos: Producer, Andre S. Labarthe; Cinematography, Maurice Perrimond.
Artista(s) : Interviewer: Jean Douchet.
Descripción: 1 videocassette (VHS) (51 min.) : sd., col. ; 1/2 in.
Título de la serie: Cinema de notre temps =; Cinema in our time; Eclairage, a collection of French feature and documentary films; Cinema de notre temps.
Otros títulos: Claude Chabrol, the entomologist.
Responsabilidad: La Sept, AMIP, INA.

Resumen:

In this 1990 interview with Jean Douchet, Claude Chabrol speculates on the fundamental characteristics of his vision: his refusal of romanticism and of emotional manipulation, his taste for classic direction and his interest in the social fabric. During the interview, clips of his films play on a television in the background.

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