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Claude Chabrol, l'entomologiste = Claude Chabrol, the entomologist

Author: Claude ChabrolJean DouchetMaurice PerrimondAndre LabartheFrench American Cultural Services & Educational Aid.All authors
Publisher: [United States] : Society for French American Cultural Services & Educational Aid (FACSEA), 1990.
Series: Cinema de notre temps =; Cinema in our time; Eclairage, a collection of French feature and documentary films; Cinema de notre temps.
Edition/Format:   VHS video : VHS tape   Visual material : FrenchView all editions and formats
Database:WorldCat
Summary:
In this 1990 interview with Jean Douchet, Claude Chabrol speculates on the fundamental characteristics of his vision: his refusal of romanticism and of emotional manipulation, his taste for classic direction and his interest in the social fabric. During the interview, clips of his films play on a television in the background.
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Details

Genre/Form: Interviews
Named Person: Claude Chabrol; Claude Chabrol
Material Type: Videorecording
Document Type: Visual material
All Authors / Contributors: Claude Chabrol; Jean Douchet; Maurice Perrimond; Andre Labarthe; French American Cultural Services & Educational Aid.; Institut national de la communication audiovisuelle (France); Sept Cinéma (Firm)
OCLC Number: 82838688
Notes: French with English subtitles.
Title on container and cassette: Claude Chabrol ou l'entomologiste Claude Chabrol or the entomologist.
"V-0972"--Cassette.
Credits: Producer, Andre S. Labarthe; Cinematography, Maurice Perrimond.
Performer(s): Interviewer: Jean Douchet.
Description: 1 videocassette (VHS) (51 min.) : sd., col. ; 1/2 in.
Series Title: Cinema de notre temps =; Cinema in our time; Eclairage, a collection of French feature and documentary films; Cinema de notre temps.
Other Titles: Claude Chabrol, the entomologist.
Responsibility: La Sept, AMIP, INA.

Abstract:

In this 1990 interview with Jean Douchet, Claude Chabrol speculates on the fundamental characteristics of his vision: his refusal of romanticism and of emotional manipulation, his taste for classic direction and his interest in the social fabric. During the interview, clips of his films play on a television in the background.

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