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  E-mail Message: I thought you might be interested in this item at http://www.worldcat.org/oclc/55016164 Title: The Claude glass : use and meaning of the black mirror in western art Author: Arnaud Maillet Publisher: New York : Zone Books, 2004. ISBN/ISSN: 1890951471 9781890951474 OCLC:55016164

  
  

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• Landscape painting -- Technique.
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The Claude glass : use and meaning of the black mirror in western art

Author:	Arnaud Maillet
Publisher:	New York : Zone Books, 2004.
Edition/Format:	Book : EnglishView all editions and formats
Summary:	"Arnaud Maillet's The Claude Glass is a contribution to the history of Western visual culture. In this first full-length study of a largely forgotten optical device from the eighteenth-century, Maillet reconfigures our historical understanding of visual experience and meaning in relation to notions of opacity, transparency, and imagination. Many are familiar with the Claude glass as a small black convex mirror used by artists and spectators of landscape to reflect a view and make tonal values and areas of light and shade visible. Maillet, in this account, goes well beyond this particular function of the glass and situates it within a richer archaeology of Western thought, exploring the uncertainties and anxieties about mirrors, reflections, and their potential distortions. He takes us from the background of the "black mirror" through a full evaluation of its importance in the age of the picturesque, to its persistence in a range of technological and representational practices such as photography, film, and contemporary art."--Jacket.  Read more...
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