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Clowns, fools and picaros : popular forms in theatre, fiction and film

ผู้แต่ง: David Robb
สำนักพิมพ์: Amsterdam ; New York, NY : Rodopi, 2007.
ชุด: At the interface/probing the boundaries, v. 43.
ครั้งที่พิมพ์/รูปแบบ:   หนังสืออีเล็กทรอนิกส์ : เอกสาร : สิ่งพิมพ์การประชุม : ภาษาอังกฤษดูครั้งที่พิมพ์และรูปแบบ
ฐานข้อมูล:WorldCat
สรุป:
"By its very nature the clown, as represented in art, is an interdisciplinary phenomenon. In whichever artform it appears - fiction, drama, film, photography or fine art - it carries the symbolic association of its usage in popular culture, be it ritual festivities, street theatre or circus. The clown, like its extended family of fools, jesters, picaros and tricksters, has a variety of functions all focussed around  อ่านมากขึ้น…
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Conference proceedings
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รูปแบบทางกายภาพเพิ่มเติม Print version:
Clowns, fools and picaros.
Amsterdam ; New York, NY : Rodopi, 2007
ขนิดวัสดุ: สิ่งพิมพ์การประชุม, เอกสาร, ทรัพยากรอินแทอร์เน็ต
ประเภทของเอกสาร: แหล่งข้อมูลอินเทอร์เน็ต, ไฟล์คอมพิวเตอร์
ผู้แต่งทั้งหมด : ผู้แต่งร่วม David Robb
ISBN: 9781435613386 1435613384 9042023406 9789042023406
OCLC Number: 183306394
หมายเหตุ: Based on papers from a conference held at the Queen's University of Belfast in September 4-6, 2003.
คำอธิบาย: 1 online resource (233 pages).
สารบัญ: David ROBB: Introduction Robert CHEESMOND: Where the Antic Sits Faye RAN: Modern Tragicomedy and the Fool Ashley TOBIAS: The Postmodern Theatre Clown Rudiger GORNER: Nietzsche and the Praise of Masks Maxim Leonid WEINTRAUB: Clowning Around at the Limits of Representation: On Fools, Fetishes and Bruce Naumann's Clown Torture Barbara LEWIS: An American Circus: the Lynch Victim as Clown Kayode Gboyega KOFOWOROLA: The Court Jester in Nigerian Drama Ron JENKINS: "Fratello Arlecchino": Clowns, Kings, and Bombs in Bali Stephen KNAPPER: Scaramouche: The Mask and the Millenium Des O'RAWE: The Cinema of Masks: Commedia dell 'Arte and Jean Renoir's The Golden Coach David ROBB: From Nestroy to Wenzel & Mensching: Carnivalesque Revolutionaries in the German-Speaking Theatrical Tradition Marina KOTZAMANI: Karlos Koun, Karaghiozis and The Birds: Aristophanes as Popular Theatre Stephen LLANO: The Clown as Social Critic: Kerouac's Vision Bernhard MALKMUS: Picaresque Narratology: Lazarillo de Tormes and Edgar Hilsenrath's Der Nazi und der Friseur
ชื่อชุด: At the interface/probing the boundaries, v. 43.
ความรับผิดชอบ: edited by David Robb.

บทคัดย่อ:

"By its very nature the clown, as represented in art, is an interdisciplinary phenomenon. In whichever artform it appears - fiction, drama, film, photography or fine art - it carries the symbolic association of its usage in popular culture, be it ritual festivities, street theatre or circus. The clown, like its extended family of fools, jesters, picaros and tricksters, has a variety of functions all focussed around its status and image of being "other." Frequently a marginalised figure, it provides the foil for the shortcomings of dominant discourse or the absurdities of human behaviour." "Clowns, Fools and Picaros represents the latest research on the clown, bringing together for the first time studies from four continents: Europe, America, Africa and Asia. It attempts to ascertain commonalities, overlaps and differences between artistic expressions of the "clownesque" from these various continents and genres, and above all, to examine the role of the clown in our cultures today." "This volume is of interest for scholars of political and comic drama, film and visual art as well as scholars of comparative literature and anthropology."--Jacket.

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"[a] facinating book ... this book's strength is to be found in its multi-dimensional, multi-role, identity" in: Dramatherapy, Vol. 30, No 2, Autumn 2008

 
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