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The collaboration : Hollywood's pact with Hitler

Auteur : Ben Urwand
Éditeur : Cambridge, Massachusetts : The Belknap Press of Harvard University Press, 2013.
Édition/format :   Livre imprimé : EnglishVoir toutes les éditions et tous les formats
Base de données :WorldCat
Résumé :
Explores "how Hollywood and especially the big studios went along with German demands to censor movies not only before but especially after the Nazi seizure of power"--Back of dust jacket.
Évaluation :

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Détails

Genre/forme : History
Personne nommée : Adolf Hitler
Format : Book
Tous les auteurs / collaborateurs : Ben Urwand
ISBN : 9780674724747 0674724747 0674088107 9780674088108
Numéro OCLC : 840460715
Description : 327 pages : illustrations ; 24 cm
Contenu : Hitler's obsession with film --
Enter Hollywood --
"Good" --
"Bad" --
"Switched off" --
Switched on --
Epilogue.
Responsabilité : Ben Urwand.

Résumé :

To continue doing business in Germany, Hollywood studios agreed not to make films attacking Nazis or condemning persecution of Jews. The author reveals this collaboration and the cast of characters  Lire la suite...

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Synopsis de l’éditeur

Urwand has dug deep in the German archives and found evidence that the Nazis business dealings with some of the studios were much closer than previously realized. He also draws attention to the Lire la suite...

 
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   schema:description ""To continue doing business in Germany after Hitler's ascent to power, Hollywood studios agreed not to make films that attacked the Nazis or condemned Germany's persecution of Jews. Ben Urwand reveals this bargain for the first time--a 'collaboration' (Zusammenarbeit) that drew in a cast of characters ranging from notorious German political leaders such as Goebbels to Hollywood icons such as Louis B. Mayer. At the center of Urwand's story is Hitler himself, who was obsessed with movies and recognized their power to shape public opinion. In December 1930, his Party rioted against the Berlin screening of All Quiet on the Western Front, which led to a chain of unfortunate events and decisions. Fearful of losing access to the German market, all of the Hollywood studios started making concessions to the German government, and when Hitler came to power in January 1933, the studios--many of which were headed by Jews--began dealing with his representatives directly. Urwand shows that the arrangement remained in place through the 1930s, as Hollywood studios met regularly with the German consul in Los Angeles and changed or canceled movies according to his wishes. Paramount and Fox invested profits made from the German market in German newsreels, while MGM financed the production of German armaments. Painstakingly marshaling previously unexamined archival evidence, The Collaboration raises the curtain on a hidden episode in Hollywood--and American--history."--Jacket."@en ;
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