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The collaboration : Hollywood's pact with Hitler

著者: Ben Urwand
出版: Cambridge, Massachusetts : The Belknap Press of Harvard University Press, 2013.
エディション/フォーマット:   書籍 : Englishすべてのエディションとフォーマットを見る
データベース:WorldCat
概要:
Explores "how Hollywood and especially the big studios went along with German demands to censor movies not only before but especially after the Nazi seizure of power"--Back of dust jacket.
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ジャンル/形式: History
関連の人物: Adolf Hitler
ドキュメントの種類: 図書
すべての著者/寄与者: Ben Urwand
ISBN: 9780674724747 0674724747
OCLC No.: 840460715
物理形態: 327 pages : illustrations ; 24 cm
コンテンツ: Hitler's obsession with film --
Enter Hollywood --
"Good" --
"Bad" --
"Switched off" --
Switched on --
Epilogue.
責任者: Ben Urwand.

概要:

To continue doing business in Germany, Hollywood studios agreed not to make films attacking Nazis or condemning persecution of Jews. The author reveals this collaboration and the cast of characters  続きを読む

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The book is a fascinating take on the shady politics of Hollywood and should be read by anyone interested in going behind the glamour of 1930s cinema.--Taylor Downing"History Today" (09/01/2014)

 
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schema:description"Hitler's obsession with film -- Enter Hollywood -- "Good" -- "Bad" -- "Switched off" -- Switched on -- Epilogue."@en
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schema:description""To continue doing business in Germany after Hitler's ascent to power, Hollywood studios agreed not to make films that attacked the Nazis or condemned Germany's persecution of Jews. Ben Urwand reveals this bargain for the first time--a 'collaboration' (Zusammenarbeit) that drew in a cast of characters ranging from notorious German political leaders such as Goebbels to Hollywood icons such as Louis B. Mayer. At the center of Urwand's story is Hitler himself, who was obsessed with movies and recognized their power to shape public opinion. In December 1930, his Party rioted against the Berlin screening of All Quiet on the Western Front, which led to a chain of unfortunate events and decisions. Fearful of losing access to the German market, all of the Hollywood studios started making concessions to the German government, and when Hitler came to power in January 1933, the studios--many of which were headed by Jews--began dealing with his representatives directly. Urwand shows that the arrangement remained in place through the 1930s, as Hollywood studios met regularly with the German consul in Los Angeles and changed or canceled movies according to his wishes. Paramount and Fox invested profits made from the German market in German newsreels, while MGM financed the production of German armaments. Painstakingly marshaling previously unexamined archival evidence, The Collaboration raises the curtain on a hidden episode in Hollywood--and American--history."--book jacket."@en
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