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Collector and connoisseur oral history transcript, 1987 : E. Maurice Bloch

Author: E Maurice Bloch; Bernard Galm; University of California, Los Angeles. Oral History Program.
Publisher: [Los Angeles] : Oral History Program, University of California, Los Angeles, ©1991.
Edition/Format:   Book : Biography : Manuscript   Archival Material : English
Publication:Oral History collection, Dept. of Special Collections, University Library, University of California, Los Angeles.
Database:WorldCat
Summary:
Bloch discusses his education and his positions at the Cooper Union Museum and the UCLA Dept. of Art. Major topics covered include museology, connoisseurship, prints and printmaking, increasing interest in American art, Bloch's scholarship on George Caleb Bingham, art as an academic discipline, the evolution of the UCLA art department, the Southern California art community, and the development of the Grunwald Center  Read more...
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Genre/Form: Oral histories
Interviews
Named Person: E Maurice Bloch; George Caleb Bingham; Karl M Birkmeyer; Gibson A Danes; Margaret T Finnegan; Fred Grunwald; Saidee Herz Grunwald; Franklin D Murphy; Charles Newton; Vivian K Nichols; Millard Sheets; Charles Speroni; Robert R Wark; June Wayne; O K Werckmeister; Frederick Stallknecht Wight; Charles E Young
Material Type: Biography, Manuscript
Document Type: Book, Archival Material
All Authors / Contributors: E Maurice Bloch; Bernard Galm; University of California, Los Angeles. Oral History Program.
OCLC Number: 36725384
Notes: Transcript of a 24.4-hour interview completed under the auspices of the UCLA Oral History Program.
Description: 2 volumes (xiii, 467, vii, 468-861 pages), bound : portraits ; 28 cm
Responsibility: interviewed by Bernard Galm.

Abstract:

Bloch discusses his education and his positions at the Cooper Union Museum and the UCLA Dept. of Art. Major topics covered include museology, connoisseurship, prints and printmaking, increasing interest in American art, Bloch's scholarship on George Caleb Bingham, art as an academic discipline, the evolution of the UCLA art department, the Southern California art community, and the development of the Grunwald Center for the Graphic Arts and the Virginia Steele Scott Gallery.

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