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Color & form, 1909-1914; the origin and evolution of abstract painting in futurism, orphism, rayonnism, synchromism, and the blue rider Preview this item
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Color & form, 1909-1914; the origin and evolution of abstract painting in futurism, orphism, rayonnism, synchromism, and the blue rider

Author: Henry G Gardiner; Fine Arts Gallery of San Diego.; Oakland Museum.; Seattle Art Museum.
Publisher: San Diego] Fine Arts Gallery of San Diego [1971]
Edition/Format:   Book : EnglishView all editions and formats
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Genre/Form: Exhibition catalogs
Exhibitions
Additional Physical Format: Online version:
Color & form, 1909-1914.
San Diego] Fine Arts Gallery of San Diego [1971]
(OCoLC)691064377
Document Type: Book
All Authors / Contributors: Henry G Gardiner; Fine Arts Gallery of San Diego.; Oakland Museum.; Seattle Art Museum.
OCLC Number: 240913
Notes: Issued in connection with the exhibition held Nov. 20, 1971-Jan. 2, 1972, in the Fine Arts Gallery of San Diego; Jan 25-Mar. 5, 1972, in the Oakland Museum, and Mar. 24-May 7, 1972, in the Seattle Art Museum.
Description: 103 pages color illustrations 27 cm
Contents: The evolution of abstract painting / Henry G. Gardiner --
The concept of abstraction in Italy / Joshua Taylor --
Wassily Kandinsky and early Abstraction / Peter Selz --
Frank Kupka and the philosophical imperative that demanded non-figurative art / Lilli Lonngren --
Robert Delaunay and the new color and form / Herschel B. Chipp --
Synchromism and color painting in American art / William C. Agee --
Chronology chart.
Responsibility: [by] Henry G. Gardiner [and others.

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