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Colouring the Caribbean : race and the art of Agostino Brunias

Author: Mia L Bagneris; Agostino Brunias
Publisher: Manchester : Manchester University Press, 2018. ©2018
Series: Rethinking art's histories.
Edition/Format:   Print book : EnglishView all editions and formats
Summary:
"Colouring the Caribbean ia the first comprehensive study of Agostino Brunias's West Indian paintings. Working primarily in St. Vincent and Dominica at the end of the eighteenth century, Brunias painted for plantocrats and the colonial elite, creating romanticised pictures featuring Caribbeans of colour--so-called 'Red' and 'Black' Carib Indians, dark-skinned Africans and Afro-Creoles, and people of mixed race. The  Read more...
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Genre/Form: In art
Named Person: Agostino Brunias
Document Type: Book
All Authors / Contributors: Mia L Bagneris; Agostino Brunias
ISBN: 1526120453 9781526120458
OCLC Number: 991315916
Description: xv, 256 pages : illustrations (chiefly color) ; 25 cm.
Contents: Brunias's tarred brush, or painting Indians black : race-ing the Carib divide --
Merry and contented slaves and other island myths : representing Africans and Afro-Creoles in the Anglo-American world --
Brown-skinned booty, or colonising Diana : mixed-race Venuses and Vixens as the fruits of imperial enterprise --
Can you find the white woman in this picture? Agostino Brunias's 'ladies' of ambiguous race --
Coda : pushing Brunias's buttons, or re-branding the plantocracy's painter ; the afterlife of Brunias's imagery.
Series Title: Rethinking art's histories.
Other Titles: Coloring the Caribbean
Race and the art of Agostino Brunias
Responsibility: Mia L. Bagneris.

Abstract:

The first monographic study of the painter Agostino Brunias, this book offers a compelling, original analysis of his representation of race in the British colonial West Indies, reconsidering the way  Read more...

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Primary Entity

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    schema:description ""Colouring the Caribbean ia the first comprehensive study of Agostino Brunias's West Indian paintings. Working primarily in St. Vincent and Dominica at the end of the eighteenth century, Brunias painted for plantocrats and the colonial elite, creating romanticised pictures featuring Caribbeans of colour--so-called 'Red' and 'Black' Carib Indians, dark-skinned Africans and Afro-Creoles, and people of mixed race. The book explores the full scope of these images, investigating their role in reifying then developing notions of race. Perceived as straightforward documents of visual ethnography, Brunias's paintings have been understood as visual field guides for reading race in the colonial West Indies. For the first time, the book investigates how the artist's images both reflected and refracted ideas about race, helping to construct racial categories while simultaneously exposing their constructedness and underscoring their contradictions. Though grounded in close visual analysis, it uses various critical lenses and an interdisciplinary array of materials, including period historical and literary texts and secondary scholarship from a variety of fields, to inform its interpretations and conclusions. Ultimately, it offers provocative new insights into Brunias's work, gleaned from a broad survey of the artist's paintings, many of which are reproduced here for the first time. A critical addition to the bookshelves of historians working on the art and visual culture of the Anglo-American world, Colouring the Caribbean will also be of interest to scholars in race and gender studies, African diaspora studies, Atlantic world studies, slavery studies, colonial and postcolonial studies, and eighteenth-century studies"--Page 4 of cover."@en ;
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