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A companion to Michael Haneke

Author: Roy Grundmann
Publisher: Chichester, U.K. ; Malden, MA : Wiley-Blackwell, 2010.
Series: Wiley-Blackwell companions to film directors.
Edition/Format:   Print book : EnglishView all editions and formats
Database:WorldCat
Summary:
Michael Haneke is one of the most notable directors to have emerged on the global cinema scene in the past fifteen years. After gaining international attention in the 1990's with a string of iconoclastic films that analyze the dysfunctional state of Western society, Haneke has since established himself as one of art cinema's most creative, controversial, and eloquent social commentators.
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Genre/Form: Criticism, interpretation, etc
Named Person: Michael Haneke; Michael Haneke; Michael Haneke; Michael Haneke; Michael Haneke; Michael Haneke
Document Type: Book
All Authors / Contributors: Roy Grundmann
ISBN: 9781405188005 1405188006
OCLC Number: 471799126
Description: xvii, 638 pages : illustrations ; 26 cm.
Contents: <p>Notes on Contributors viii <p>Acknowledgments xiv <p>Introduction: Haneke's Anachronism 1 Roy Grundmann <p>Part I Critical and Topical Approaches to Haneke's Cinema51 <p>1 Performative Self-Contradictions: Michael Haneke's Mind Games53 Thomas Elsaesser <p>2 Five Tapes, Four Halls, Two Dreams: Vicissitudes ofSurveillant Narration in Michael Haneke's Cache75 Thomas Y. Levin <p>3 Infectious Images: Haneke, Cameron, Egoyan, and the DuelingEpistemologies of Video and Film 91 Vinzenz Hediger <p>4 Tracking Code Unknown 113 Tom Conley <p>5 Michael Haneke and the New Subjectivity: Architecture and Film124 Peter Eisenman <p>6 Games Haneke Plays: Reality and Performance 130 Brigitte Peucker <p>7 Figures of Disgust 147 Christa Blumlinger <p>8 Without Music: On Cache 161 Michel Chion <p>9 Fighting the Melodramatic Condition: Haneke's Polemics168 Jorg Metelmann <p>10 "Mourning for the Gods Who Have Died": The Role of Religionin Michael Haneke's Glaciation Trilogy 187 Gregor Thuswaldner <p>Part II The Television Films 203 <p>11 A Melancholy Labor of Love, or Film Adaptation asTranslation: Three Paths to the Lake 205 Fatima Naqvi <p>12 Michael Haneke and the Television Years: A Reading ofLemmings 227 Peter Brunette <p>13 Variations on Themes: Spheres and Space in Haneke'sVariation 243 Monica Filimon and Fatima Naqvi <p>14 Projecting Desire, Rewriting Cinematic Memory: Gender andGerman Reconstruction in Michael Haneke's Fraulein 263 Tobias Nagl <p>15 (Don't) Look Now: Hallucinatory Art History in Who WasEdgar Allan? 279 Janelle Blankenship <p>16 Bureaucracy and Visual Style 301 Brian Price <p>Part III The German-Language Theatrical Features 321 <p>17 Structures of Glaciation: Gaze, Perspective, andGestus in the Films of Michael Haneke 323 Georg Seesslen <p>18 The Void at the Center of Things: Figures of Identity inMichael Haneke's Glaciation Trilogy 337 Peter J. Schwartz <p>19 How to Do Things with Violences 354 Eugenie Brinkema <p>20 Between Adorno and Lyotard: Michael Haneke's Aesthetic ofFragmentation 371 Roy Grundmann <p>21 Hollywood Endgames 420 Leland Monk <p>Part IV The French-Language Theatrical Features 439 <p>22 Class Conflict and Urban Public Space: Haneke and MassTransit 441 Barton Byg <p>23 Multicultural Encounters in Haneke's French-Language Cinema455 Alex Lykidis <p>24 Haneke's Secession: Perspectivism and Anti-Nihilism inCode Unknown and Cache 477 Kevin L. Stoehr <p>25 The Unknown Piano Teacher 495 Charles Warren <p>26 Discordant Desires, Violent Refrains: La Pianiste (ThePiano Teacher) 511 Jean Ma <p>27 Civilization's Endless Shadow: Haneke's Time of theWolf 532 Evan Torner <p>28 The Intertextual and Discursive Origins of Terror in MichaelHaneke's Cache 551 T. Jefferson Kline <p>Part V Michael Haneke Speaks 563 <p>29 Terror and Utopia of Form: Robert Bresson's Au hasardBalthazar 565 Michael Haneke <p>30 Violence and the Media 575 Michael Haneke <p>31 The World That Is Known: An Interview with Michael Haneke580 Christopher Sharrett <p>32 Unsentimental Education: An Interview with Michael Haneke591 Roy Grundmann <p>Filmography 607 <p>Index 619
Series Title: Wiley-Blackwell companions to film directors.
Responsibility: edited by Roy Grundmann.

Abstract:

A Companion to Michael Haneke is a definitive collection ofnewly-commissioned work that covers Haneke's body of work in itsentirety, catering to students and scholars of Haneke at a timewhen interest  Read more...

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