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Complete piano works. 1

Author: Arthur Lourié; Giorgio Koukl
Publisher: [Hong Kong] : Grand Piano, [2016] ℗2016
Edition/Format:   eMusic : No Linguistic ContentView all editions and formats
Summary:
This first volume devoted to Arthur Vincent Lourié's piano music traces his journey from the Debussian Impressionism of his youthful Cinq Préludes fragiles, Op. 1 through absorption of Scriabin's chromaticism in the eerie Masques (Tentations) of 1913 to the near- Cubism of Formes en l'air. Although Lourié was lauded-or derided-as a pioneering Futurist, his post-Revolutionary writing in France embraced a nostalgic  Read more...
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Genre/Form: Streaming audio
Additional Physical Format: Source record:
Lourié, Arthur, 1892-1966.
Complete piano works. 1.
[Hong Kong] : Grand Piano, [2016]
(OCoLC)958087213
Material Type: Music, Sound recording, Internet resource
Document Type: Internet Resource, Computer File, Sound Recording
Music Type: Preludes; Mazurkas; Suites; Other
All Authors / Contributors: Arthur Lourié; Giorgio Koukl
OCLC Number: 990267988
Performer(s): Giorgio Koukl, piano.
Event notes: Recorded
2016 January 5 and March 25
Conservatorio della Svizzera Italiana, Lugano, Switzerland.
Description: 1 online resource (1 sound file)
Contents: Cinq préludes fragiles : op. 1, 1908-10 (10:03) --
Deux estampes : op. 2, 1910 (8:02) --
Mazurkas, op. 7, 1911-12 (5:02) --
Quatre poèmes : op. 10, 1912-13 (10:21) --
Formes en l'air : à Pablo Picasso, 1915 (6:47) --
Masques : tentations, 1913 (14:11) --
Upmann : a smoking sketch, 1917 (3:11) --
Petite suite en fa : 1926 (3:16) --
Dialogue (3:56).
Other Titles: Piano music.
Responsibility: Lourié.

Abstract:

This first volume devoted to Arthur Vincent Lourié's piano music traces his journey from the Debussian Impressionism of his youthful Cinq Préludes fragiles, Op. 1 through absorption of Scriabin's chromaticism in the eerie Masques (Tentations) of 1913 to the near- Cubism of Formes en l'air. Although Lourié was lauded-or derided-as a pioneering Futurist, his post-Revolutionary writing in France embraced a nostalgic Neo-Classicism represented by the Petite Suite en Fa.

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