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Complete stories, 1892-1898

Auteur: Henry James
Uitgever: New York : Library of America : Distributed to the trade in the U.S. by Penguin Books, ©1996.
Serie: Library of America, 82.
Editie/Formaat:   Print book : Fictie : EngelsAlle edities en materiaalsoorten bekijken.
Database:WorldCat
Samenvatting:
The 21 stories in Complete Stories 1892-1898 represent James at the peak of his storytelling powers. Among them are "The Turn of the Screw," one of his most popular works, a terrifying exercise in psychological horror centering on the corruption of childhood innocence; "The Real Thing," a playful consideration of the illusions of art and the paradoxes of authenticity; "The Figure in the Carpet," "The Death of the  Meer lezen...
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Details

Genre/Vorm: Fiction
Short stories
Aanvullende fysieke materiaalsoort: Online version:
James, Henry, 1843-1916.
Complete stories, 1892-1898.
New York, N.Y. : Library of America : Distributed to the trade in the U.S. by Penguin Books, ©1996
(OCoLC)605100331
Genre: Fictie, Internetbron
Soort document: Boek, Internetbron
Alle auteurs / medewerkers: Henry James
ISBN: 1883011094 9781883011093
OCLC-nummer: 32780434
Beschrijving: 948 p. ; 21 cm.
Inhoud: Nona Vincent --
The real thing --
The private life --
Lord Beaupre --
The visits --
Sir Dominick Ferrand --
Greville Fane --
Collaboration --
Owen Wingrave --
The wheel of time --
The middle years --
The death of the lion --
The coxon fund --
The altar of the dead --
The next time --
Glasses --
The figure in the carpet --
The way it came --
The turn of the screw --
Covering end --
In the cage.
Serietitel: Library of America, 82.
Andere titels: Short stories.
Verantwoordelijkheid: Henry James.
Meer informatie:

Fragment:

The 21 stories in Complete Stories 1892-1898 represent James at the peak of his storytelling powers. Among them are "The Turn of the Screw," one of his most popular works, a terrifying exercise in psychological horror centering on the corruption of childhood innocence; "The Real Thing," a playful consideration of the illusions of art and the paradoxes of authenticity; "The Figure in the Carpet," "The Death of the Lion," and "The Middle Years," three very different expositions of the mysteries of authorship, embodying some of James's most profound insights into the nature of his own art; "The Altar of the Dead," a somber, ultimately wrenching meditation on the relation of the living to the dead; and "In the Cage," an extended evocation of the inner life of a young woman trapped in a dehumanizing job at a postal-and-telegraph office.

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