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Complete stories, 1892-1898

作者: Henry James; David Bromwich; John Hollander
出版商: New York : Library of America : Distributed to the trade in the U.S. by Penguin Books, ©1996.
叢書: Library of America, 82.
版本/格式:   圖書 : 小說 : 英語所有版本和格式的總覽
資料庫:WorldCat
提要:
The 21 stories in Complete Stories 1892-1898 represent James at the peak of his storytelling powers. Among them are "The Turn of the Screw," one of his most popular works, a terrifying exercise in psychological horror centering on the corruption of childhood innocence; "The Real Thing," a playful consideration of the illusions of art and the paradoxes of authenticity; "The Figure in the Carpet," "The Death of the  再讀一些...
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類型/形式: Fiction
其他的實體格式: Online version:
James, Henry, 1843-1916.
Complete stories, 1892-1898.
New York, N.Y. : Library of America : Distributed to the trade in the U.S. by Penguin Books, c1996
(OCoLC)605100331
資料類型: 小說
文件類型: 圖書
所有的作者/貢獻者: Henry James; David Bromwich; John Hollander
ISBN: 1883011094 9781883011093
OCLC系統控制編碼: 32780434
描述: 948 p. ; 21 cm.
内容: Nona Vincent --
The real thing --
The private life --
Lord Beaupre --
The visits --
Sir Dominick Ferrand --
Greville Fane --
Collaboration --
Owen Wingrave --
The wheel of time --
The middle years --
The death of the lion --
The coxon fund --
The altar of the dead --
The next time --
Glasses --
The figure in the carpet --
The way it came --
The turn of the screw --
Covering end --
In the cage.
叢書名: Library of America, 82.
其他題名: Short stories.
責任: Henry James ; David Bromwich and John Hollander, [editors].
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摘要:

The 21 stories in Complete Stories 1892-1898 represent James at the peak of his storytelling powers. Among them are "The Turn of the Screw," one of his most popular works, a terrifying exercise in psychological horror centering on the corruption of childhood innocence; "The Real Thing," a playful consideration of the illusions of art and the paradoxes of authenticity; "The Figure in the Carpet," "The Death of the Lion," and "The Middle Years," three very different expositions of the mysteries of authorship, embodying some of James's most profound insights into the nature of his own art; "The Altar of the Dead," a somber, ultimately wrenching meditation on the relation of the living to the dead; and "In the Cage," an extended evocation of the inner life of a young woman trapped in a dehumanizing job at a postal-and-telegraph office.

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