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Complete works for keyboard instruments = Sämtliche Werke für Tasteninstrumente

Autor: Johann Pachelbel; Michael Belotti
Editorial: Colfax, N.C. : Wayne Leupold Editions ; Boston, Mass. : Sole USA and Canadian selling agent, ECS Pub., ©1999-
Serie: Baroque organ repertoire.
Edición/Formato:   Partitura musical : Sin contenido lingüísticoVer todas las ediciones y todos los formatos
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Detalles

Género/Forma: Scores
Preludes (Music)
Toccatas
Fugues
Variations (Music)
Formato físico adicional: Online version:
Pachelbel, Johann, 1653-1706.
Complete works for keyboard instruments.
Colfax, N.C. : Wayne Leupold Editions ; Boston, Mass. : Sole USA and Canadian selling agent, ECS Pub., ©1999-
(OCoLC)636506146
Tipo de documento Partitura musical
Tipo de música: Preludios; Tocatas; Fugas; Suites; Variaciones
Todos autores / colaboradores: Johann Pachelbel; Michael Belotti
Número OCLC: 44442633
Notas: For organ or harpsichord--Cf. pref.
Pref. and critical commentary in English and German.
Descripción: volumes of music : illustrations ; 31 cm.
Contenido: V. 1. Preludes and toccatas --
v. 2. Fugues --
v. 3. Magnificat fugues from the Berlin manuscript, 1st series --
v. 4. Magnificat fugues from the Berlin manuscript, 2nd series --
v. 5. Magnificat fugues from the London manuscript --
v. 7. Chorale partitas --
v. 8. Arias with variations. Volume I. Preludes and toccatas = Praeludien und Toccaten (Pedaliter). Pachelbel's Keyboard Music : The Historical Background = Pachelbels Musik für Tasteninstrumente und ihr historischer Hintergrund. Pachelbel's Musical Training = Pachelbels Ausbildung ; Keyboard Music Around Pachelbel = Tastenmusik um Pachelbel ; Pachelbel the Organist = Pachelbel als Organist ; Pachelbel's Organ Works = Pachelbels Orgelwerke ; Domestic Music : Variations and Suites = Hausmusik : Partiten und Suiten ; The Notation = Die Notation --
How to Play Pachelbel's Organ Works = Zur Aufführungspraxis der Orgelwerke Pachelbels. Articulation = Artikulation ; Fingering = Fingersatz ; Pedaling = Pedalspiel ; Ornamentation = Verzierungen ; Organ Registration = Registrierung --
The Sources for this Volume = Quellen für Band I --
Editorial Methods Used = Zur Editionstechnik. --
Preludes and Toccatas. 1. Praeludium in d [P. 407] ; Toccatas from Johann Christoph Bach's Collections = Aus den Sammelbänden Johann Christoph Bachs: 2. Toccata in C [P. 458] ; 3. In C [P. 455] ; 4. In C [P. 456] ; 5. In d [P. 469] --
Toccatas from the Library of the = Toccaten aus der Bibliothek des Instituts für Kirchenmusik: 6. Toccata in C [P. 457] ; 7. In c [P. 459] ; 8. In e [P. 462] ; 9. In F [P. 463] ; 10. In F [P. 464] ; 11. In g [P. 465] --
Toccatas from the London Ms. = Aus der Londoner Handschrift: 12. Toccata in g [P. 466] ; 13. In g [P. 467] ; 14. In g [P. 468] --
Critical Commentary --
Bibliography --
Facsimile: Toccata in C, no. 4 (Möller Ms., fol. 73v) --
Nuremberg, St. Sebald (interior) --
Map of Erfurt = Plan von Erfurt (Matthäus Merian). Volume II. Fugues = Fugen. The transmission of Pachelbel's fugues = Die Überlieferung der Fugen Pachelbels --
Fugues = Fugen. Fugues from the = Fugen aus dem Sandeberger Ms: 1. Fugue in C supra ut re mi fa sol [P. 418] ; 2. In F [P. 156] ; 3. In D [P. 133] ; 4. In d (Allabreve) [P. 271] ; 5. In a [P. 162] ; 6. In d [P. 263] ; 6a. Variant in f ; 7. In C [P. 132] ; 8. In d [P. 268] ; 9. In C (Nachtigall) [P. 131] ; 10. In D [P. 153] ; 10a. In D (variant from Commer) ; 11. In g [P. 160] --
Fugues from the = Fugen aus dem London Ms: 12. Fugue à 2 in C [P. 144] ; 13. À 2 in C [P. 143] ; 14. À 3 in C [P. 151] ; 15. In C [P. 147] ; 16. In C [P. 149] ; 17. In c [P. 152] ; 18. In g (Mixolydian) [P. 142] ; 19. In G [P. 351] ; 20. In g [P. 291] ; 21. In A [P. 139] ; 22. In a [P. 163] --
Fugues from various sources = Fugen aus verschiedenen Quellen: 23. Fugue in C [P. 150] ; 24. In C [P. 413.2] ; 24a. Praeludium from Ms Berlin 38111 ; 25. Ricercar in c [P. 419] ; 25a. Variant from the Eberlin Ms ; 26. Fugue in d [P. 279] ; 27. In d [P. 154] ; 28. In e [P. 135] ; 29. Ricercar in f-sharp = fis-Moll [P. 421] ; 30. Fugue à 3 in G [P. 137] ; 31. In B-flat = B-Dur ; 31a. Variant from P 247 [P. 148] ; 32. Fuga in b = h-Moll [P. 141]. Volume III. Magnificat fugues from the Berlin manuscript = Magnificat-Fuguen aus der Berliner Handschrift. First series = Erste Reihe. The sources for this volume = Quellen für Band III --
Editorial methods used = Zur Editionstechnik --
Magnificat fugues from the Berlin Ms., First series = Magnificat-Fuguen aus der Berliner Handschrift, Erste Reihe. Magnificat primi toni: I.1. [P. 258] ; I.2. [P. 259] ; I.3 [P. 272] ; I.4 [P. 261] --
Secundi toni: II.1 [P. 290] ; II.2 [P. 287] ; II.3 [P. 292] ; II.4 [P. 286] --
Tertii toni: III.1 [P. 302] ; III.2 [P. 300] ; III.3 [P. 301] ; III.4 [P. 298] --
Quarti toni: IV.1 [P. 310] ; IV.2 [P. 306] ; IV.3 [P. 311] ; IV.4 [P. 307] --
Quinti toni: V.1 [P. 316] ; V.2 [P. 317] ; V.3 [P. 322] ; V.4 [P. 315] --
Sexti toni: VI.1 [P. 331] ; VI.2 [P. 330] ; VI.3 [P. 332] ; VI.4 [P. 328] --
Septimi toni: VII.1 [P. 341] ; VII.2 [P. 342] ; VII.3 [P. 337] ; VII.4 [P. 343] --
Octavi toni: VIII.1 [P. 344] ; VIII.2 [P. 346] ; VIII.3 [P. 348] ; VIII.4 [P. 345] --
Critical commentary --
Illustrations = Abbildungen. A. G. Ritter's copy of the Magnificat fugues, p. 1 ; View of Nuremberg, engraving by Christoph Melchior Roth ; A. G. Ritter's copy of the Magnificat fugues, p. 35 ; Nuremberg, St. Sebald, engraving by Christoph Melchior Roth. Volume IV. Magnificat fugues from the Berlin manuscript = Magnificat-Fuguen aus der Berliner Handschrift. Second series = Zweite Reihe. Vespers services at St. Sebald's in Nuremberg = Der Vespergottesdienst in St. Sebald zu Nürnberg --
The sources for this volume = Quellen für Band IV --
Editorial methods used = Zur Editionstechnik --
Magnificat fugues from the Berlin Ms., Second series = Magnificat-Fuguen aus der Berliner Handschrift, Zweite Reihe. Magnificat primi toni: I.5 [P. 257] ; I.6 [P. 274] ; I.7 [P. 273] ; I.8 [P. 264] --
Secundi toni: II.5 [P. 288] ; II.6 [P. 293] ; II.7 [P. 285] ; II.8 [P. 284] --
Tertii toni: III.5 [P. 299] ; III.6 [P. 297] ; III.7 [P. 295] ; III.8 [P. 296] --
Quarti toni: IV.5 [P. 308] ; IV.6 [P. 313] ; IV.7 [P. 312] ; IV.8 [P. 309] --
Quinti toni: V.5 [P. 314] ; V.6 [P. 321] ; V.7 [P. 323] ; V.8 [P. 318] --
Sexti toni: VI.5 [P. 334] ; VI.6 [P. 326 (1)] ; VI.7 [P. 326 (2)] ; VI.8 [P. 326 (3)] --
Septimi toni: VII.5 [P. 340] ; VII.6 [P. 339] ; VII.7 [P. 338] ; VII.8 [P. 336] --
Octavi toni: VIII.5 [P. 352] ; VIII.6 [P. 355] ; VIII.7 [P. 350] ; VIII.8 [P. 354] --
Critical commentary --
Illustrations = Abbildungen. Johann Pachelbel, Deutliche Anweissung ; Sigismund Theophil Staden, Officium organicum ad D: Laurentij. Volume V. Magnificat fugues from the London manuscript = Magnificat-Fuguen aus der Londoner Handschrift. The London manuscript = Die Londoner Handschrift --
Editorial methods used = Zur Editionstechnik --
[Magnificat] primi toni: I.9 [P. 262] ; I.10 [P. 266] ; I.11 [P. 267] ; I.12 [P. 269] ; I.13 [P. 270] ; I.14 [P. 276] ; I.15 [P. 265] ; I.16 [P. 275] ; I.17 [P. 277] ; I.18 [P. 278] --
Secundi toni: II.9 [P. 289] --
Tertii toni: III.9 [P. 294] ; III.10 [P. 304] ; III.11 [P. 303] --
Tertii toni (transposed): III.12 [P. 320] ; III.13 [P. 319] ; III.14 [P. 324] ; III.15 [P. 325] --
Sexti toni: VI.9 [P. 333] ; VI.10 [P. 329] ; VI.11 [P. 335] ; V.12 [P. 327] --
Octavi toni: VIII.9 [P. 353] ; VIII.10 [P. 356] ; VIII.11 [P. 349] ; VIII.12 [P. 347] --
Appendix: I.19 [P. 283]. Volume VII. Chorale partitas = Choralepartiten. Pachelbel's variation sets = Pachelbels Variationszyklen --
Editorial methods used = Zur Editionstechnik --
Chorale partitas. Musicalische Sterbens-Gedancken, Erfurt, 1683: 1. Christus der ist mein Leben [P. 376] ; 2. Alle Menschen müssen sterben [P. 377] ; 3. Herzlich tut mich verlangen [P. 378] ; 4. Was Gott tut, das ist wohlgetan [P. 379] --
Chorale partitas from manuscript sources = Handschriftlich überlieferte Choralpartiten: 5. Ach, was soll ich Sünder mach ; 5a. Kittel variant [P. 7] ; 6. Freu dich sehr, o meine Seele ; 6a. Kittel variant [P. 129] ; 7. Werde munter, mein Gemüte ; 7a. Kittel variant [P. 498] ; 8. Gleich wie ein Hirsch begehret (anonymous) --
Appendix. Dubious piece = Echtheit zweifelhaft: Freu dich sehr, o meine Seele --
Critical commentary --
Illustrations = Abbildungen. Beginning of the partita Christus der ist mein Leben, from the Hamburg Ms ; Beginning of the partita Freu dich sehr, o meine Seele, from Walther (Gotthold Ms) ; Beginning of the partita Gleich wie ein Hirsch begehret, from the Plauen Organ Book. Volume VIII. Arias with variations = Arien mit Variationen. Pachelbel's variation sets = Pachelbels Variationszyklen --
Editorial methods used = Zur Editionstechnik --
Arias with Variations = Arien mit Variationen. Arias from manuscript sources = Handschriftlichen überlieferte Arien: 1. Aria in D [P. 22] ; 2. Arietta in F [P. 29] ; 3. Aria in G [P. 24] ; 4. Aria in A [P. 25] ; 5. Aria in a [P. 26] --
Hexachordum Apollinis, Nuremberg, 1699: 6. Aria prima [P. 193] ; 7. Aria secunda [P. 194] ; 8. Aria tertia [P. 195] ; 9. Aria quarta [P. 196] ; 10. Aria quinta [P. 197] ; 11. Aria sexta (Sebaldina) [P. 198] --
Appendix: Dubious pieces = Stücke zweifelhafter Echtheit. 1. Aria in c [P. 21] ; 2. Aria in a [P. 27] --
Critical commentary --
Illustrations = Abbildungen. Aria Sebaldina, hand-written title page ; Aria Sebaldina, hand-written Intonatio ; Arietta in F (no. 2) from Gerber Ms (B) ; Last variation of the Aria in G (no. 3) from the Kruse Ms ; Aria Sebaldina, variatio 8 (from the manuscript version) ; Engraved title page from Hexachordum Apollinis, Nuremberg, 1699.
Título de la serie: Baroque organ repertoire.
Otros títulos: Keyboard music
Sämtliche Werke für Tasteninstrumente
Responsabilidad: Joh. Pachelbel ; edited by Michael Belotti.

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