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Composing under the skin : the music-making body at the composer's desk

Author: Paul Craenen; Helen White
Publisher: Leuven, Belgium : Leuven University Press, [2014] ©2014
Dissertation: doctoral Leiden University 2011
Series: Orpheus Institute series.
Edition/Format:   Thesis/dissertation : Thesis/dissertation : EnglishView all editions and formats
Summary:
"Composer Paul Craenen explores ways in which the musician's body is revealed in musical performances. He leads us from Cage, Lachenmann, Kagel and their contemporaries to a discussion of how today's generation of young composers is writing a body paradigm into composition itself. Micro-temporal physical gestures and instrumental timbre provide the key to unveiling the physical presence of both a musician and a  Read more...
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Material Type: Thesis/dissertation
Document Type: Book
All Authors / Contributors: Paul Craenen; Helen White
ISBN: 9789058679741 9058679748
OCLC Number: 880553819
Notes: "This book is a translated and slightly revised version of the doctoral thesis 'Gecomponeerde Uitvoerders - het musicerende lichaam vanuit compositor-isch perspectief', which was defended in a public presentation on 20 March 2011 at the University of Leiden (The Netherlands)"--Colophon.
Description: 284 pages : illustrations ; 29 cm.
Contents: Music from Here and There --
The body resounds --
Composed instruments --
The composed body.
Series Title: Orpheus Institute series.
Other Titles: Gecomponeerde uitvoerders.
Responsibility: Paul Craenen ; [translator: Helen White.].

Abstract:

"Composer Paul Craenen explores ways in which the musician's body is revealed in musical performances. He leads us from Cage, Lachenmann, Kagel and their contemporaries to a discussion of how today's generation of young composers is writing a body paradigm into composition itself. Micro-temporal physical gestures and instrumental timbre provide the key to unveiling the physical presence of both a musician and a 'composing body.' The author's concept of 'intercorporeality, ' along with the idea of an alternating linear and non-linear relationship of the composing body to time, casts new light on the relationship between musicians, composers and music consumers"--Back cover.

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