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Computational approaches in the transfer of aesthetic values from paintings to photographs : beyond red, green and blue

Author: Xiaoyan Zhang; et al
Publisher: Singapore : Springer, 2017.
Edition/Format:   eBook : Document : EnglishView all editions and formats
Summary:

This book examines paintings using a computational and quantitative approach. In this context, the book includes cutting-edge work examining how some of the aesthetic attributes of a painting can be  Read more...

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Genre/Form: Electronic books
Additional Physical Format: (OCoLC)965345004
Material Type: Document, Internet resource
Document Type: Internet Resource, Computer File
All Authors / Contributors: Xiaoyan Zhang; et al
ISBN: 9789811035616 981103561X
OCLC Number: 994414751
Description: 1 online resource.
Contents: Preface; A Quick Tour of the Contents; Acknowledgements; Contents; Part I Image Attributes and Aesthetic Aspects; 1 The Portrait and Landscape Genres; 1.1 The Portrait Genre; 1.2 The Landscape Genre; 1.3 Concluding Remarks; References; 2 The Colour Attributes of Paintings; 2.1 Painters, Paint and Colour Systems; 2.2 Colour Spaces; 2.3 Colour Contrast; 2.3.1 Itten's Contrasts; 2.3.2 Structural Contrasts; 2.3.3 Hue and Harmony; 2.4 Concluding Remarks; References; 3 Computational Models of Colour Contrast ; 3.1 Contrast Models for Simple Images; 3.2 Contrast Models for Complex Images 3.3 Contrast Models for Hue ContrastReferences; 4 The Geometric Attributes of Paintings; 4.1 Composition in Paintings; 4.1.1 The Rule of Thirds; 4.1.2 Region of Interest and the Horizon; 4.2 Vignetting; 4.3 Concluding Remarks; References; Part II Transfer of Aesthetic Values; 5 Global Colour Style Transfer; 5.1 Global Hue, Saturation and Lightness Analysis; 5.2 Hue Mapping; 5.2.1 RGB to RYB Conversion; 5.2.2 Dominant Hue Extraction; 5.2.3 Dominant Hue Alignment and Mapping; 5.3 Saturation and Lightness Mapping; 5.4 Experiments and Discussion; 5.5 Concluding Remarks; References 6 Atmospheric Perspective Effect Transfer for Landscape Photographs6.1 Introduction; 6.2 Related Work; 6.3 Paintings Versus Photographs; 6.3.1 Depth Planes; 6.3.2 Contrast in Paintings and Photographs; 6.4 Contrast Manipulation; 6.4.1 Reference Selection; 6.4.2 Depth-Aware Contrast Mapping; 6.5 Experiments and Discussion; 6.6 Concluding Remarks; References; 7 Regional Contrast Manipulation for Portrait Photograph Enhancement; 7.1 Introduction; 7.2 Related Work; 7.3 Paintings Versus Photographs; 7.4 Example-Based Portrait Photograph Enhancement; 7.4.1 Reference Selection 7.4.2 Contrast Mapping7.5 Experiments and Discussion; 7.6 Concluding Remarks; References; 8 Composition Improvement for Portrait Photographs; 8.1 Introduction; 8.2 Related Work; 8.3 Proposed Composition Improvement Method; 8.3.1 Graph Matching; 8.3.2 Space Cropping; 8.4 Experiments; 8.5 Concluding Remarks; References; 9 Vignetting Effect Transfer; 9.1 Introduction; 9.2 Related Work; 9.3 Vignetting Effect in Paintings; 9.4 Transfer of Painter-Style Vignetting to Photographs; 9.4.1 Lightness Weighting Pattern and Blending Function; 9.4.2 Lightness Weighting Pattern Correction 9.4.3 Content-Aware Interpolation9.4.4 Local Contrast Restoration; 9.5 Experiments and Discussion; 9.6 Concluding Remarks; References; 10 Defining Hue Contrast; 10.1 Introduction; 10.2 Related Work; 10.3 Defining Hue Contrast; 10.4 Our Approach; 10.5 Computational Details; 10.6 Results and Interpretations; 10.7 Evaluation Through a User Study; 10.8 Concluding Remarks; References; 11 Interactive Local Hue Contrast Manipulation; 11.1 Introduction; 11.2 Related Work; 11.3 Hue Manipulation Framework; 11.3.1 System Overview; 11.3.2 Segmentation; 11.3.3 Hue Histogram Selection
Responsibility: Xiaoyan Zhang...[et al.].

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