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Conceptual art : theory, myth, and practice

Author: Michael Corris
Publisher: New York : Cambridge University Press, 2004.
Edition/Format:   Book : EnglishView all editions and formats
Database:WorldCat
Summary:
Conceptual art consisted of a loose collection of related practices that emerged worldwide during the 1960s and 1970s. This collection of essays offers readers a wealth of new research on the earliest international exhibitions of Conceptual art; new interpretations of some of its most important practitioners; and a reconsideration of the relationship between Conceptual art and the intellectual and social context of  Read more...
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Genre/Form: Aufsatzsammlung
Material Type: Internet resource
Document Type: Book, Internet Resource
All Authors / Contributors: Michael Corris
ISBN: 0521823889 9780521823883 0521530873 9780521530873
OCLC Number: 51728777
Description: xiv, 365 p. : ill. ; 26 cm.
Contents: Introduction : An invisible college in an Anglo-American world / Michael Corris --
The Formalist connection and originary myths of conceptual art / Frances Colpitt --
Content, context, and conceptual art : Dan Graham's Schema (March 1966) / Alex Alberro --
"Almost not photography" / Melanie Mariño --
Soft talk/soft-tape : the early collaborations of Ian Burn and Mel Ramsden / Ann Stephen --
The second degree : working drawings and other visible things on paper not necessarily meant to be viewed as art / James Meyer --
When attitudes become form and the contest over conceptual art's history / Alison M. Green --
Understanding information / Ken Allan --
"The rotting sack of humanism" : Robert Morris and authorship / Richard J. Williams --
Affluence, taste, and the brokering of knowledge : notes on the social context of early conceptual art / Robert Hobbs --
Hanne Darboven : seriality and the time of solitude / Briony Fer --
Art in the information age : technology and conceptual art / Edward A. Shanken --
The crux of conceptualism : conceptual art, the idea of idea, and the information paradigm / Johanna Drucker --
Conceptual work and conceptual waste / Blake Stimson --
Conceptual art and imageless truth / John Roberts --
Art & Language, New York, discusses its social relations in "The Lumpen-headache" / Christopher Gilbert --
Ian Burn's conceptualism / Adrian Piper.
Responsibility: edited by Michael Corris.
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Abstract:

A consideration of the relationship between Conceptual art and the context of the 1960s and 1970s.  Read more...

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'... these contributions open up a welcome historiography of this period.' Art Monthly 'This detailed anthology is an expert recalibration of a theme thinly offered by recent publications. This Read more...

 
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