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conducted by Oliver Daniel, Interview Apr. 6, 1976

Author: Gunther Schuller; Oliver Daniel; Donald J Ott
Edition/Format:   Archival material : Reel-to-reel tape : English
Publication:Oliver Daniel Research Collection on Leopold Stokowski. Folders 797-798; Box 51, CD 008.
Database:WorldCat
Summary:
Schuller discusses the influence of Stokowski's early recordings on Schuller's development as a musician; Stokowski's ability to create a whole new kind of orchestral sound; mistakes made by Stokowski conducting in the recording studio for RCA Victor and United Artists; Stokowski conducting when Schuller's father played with the New York Philharmonic; older musicians' memories of Stokowski conducting the Cincinnati  Read more...
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Details

Genre/Form: Interviews
Oral histories
Sound recordings
Transcripts
Named Person: Hugo Kohlberg; Jerome Toobin; George Neikrug; Paul Ben-Haim; Oliver Knussen; Alan Hovhaness; Adolf Busch; Harold Faberman; Paul Ben-Haim; Adolf Busch; Alan Hovhaness; Oliver Knussen; George Neikrug
Document Type: Archival Material
All Authors / Contributors: Gunther Schuller; Oliver Daniel; Donald J Ott
OCLC Number: 155861041
Notes: Original copy: Cassette tapes 5, 0.3, and 0.9; preservation copy: two 10 1/2 in. reel to reel tapes 8 and 218; service copy: compact disks CD 008 and 218. Preservation and service copies recorded October, November, and December 2000.
This interview was originally done in April 1976; in December 1979, Don Ott recorded it with Schuller's corrections, from which the revised transcript was made.
Two transcripts of the same interview; the first includes a discussion of Schuller's compositions, this is cut from the revised transcript; but the revision more completely transcribes Daniel's questions.
Event notes: Recorded Apr. 6, 1976 in Boston, Mass.
Description: Tape 3 sound cassettes : analog. Tape 2 sound tape reels : analog, 7 1/2 ips, 2 tracks, NAB standard ; 10 1/2 in., 1/4 in. tape Sound disc digital : 4 3/4 in. Transcripts 17 + 20 leaves.

Abstract:

Schuller discusses the influence of Stokowski's early recordings on Schuller's development as a musician; Stokowski's ability to create a whole new kind of orchestral sound; mistakes made by Stokowski conducting in the recording studio for RCA Victor and United Artists; Stokowski conducting when Schuller's father played with the New York Philharmonic; older musicians' memories of Stokowski conducting the Cincinnati Orchestra. Schuller mentions Hugo Kohlberg, violinist and concertmaster; Jerry Toobin and the Symphony of the Air; George Neikrug; Paul Ben-Haim; Oliver Knussen; Alan Hovhaness, Adolf Busch, and Harold Faberman.

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Linked Data


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