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| 材料类型： | 互联网资源 |
|---|---|
| 文件类型： | 书, 互联网资源 |
| 所有的著者/提供者： |
Georges Didi-Huberman |
| ISBN: | 0271024712 9780271024714 9780271024721 0271024720 |
| OCLC号码： | 61109368 |
| 描述： | xxvi, 310 p. : ill. ; 23 cm. |
| 内容： | Exorcist -- History of art within the limits of its simple practice -- Art as rebirth and the immortality of the ideal man -- History of art within the limits of its simple reason -- Image as rend and the death of God incarnate -- Detail and the Pan. |
| 其他题名： | Devant l'image. |
| 责任： | Georges Didi-Huberman ; translated from the French by John Goodman. |
| 更多信息： |
摘要：
When French edition of this book appeared, it won immediate acclaim because of its far-reaching arguments about the structure of images and the histories ascribed to them by scholars and critics working in the tradition of Vasari and Panofsky. According to the author, visual representation has an "underside," in which seemingly intelligible forms lose their clarity and defy rational understanding. Art historians, he goes on to contend, have failed to engage this underside, where images harbor limits and contradictions, because their discipline is based upon the assumption that visual representation is made up of legible signs and lends itself to rational scholarly cognition epitomized in the "science of iconology." The author suggests that art historians look to Freud's concept of the "dreamwork"--Not to find a code of interpretation, but rather to think of representation as a mobile process that often involves substitution and contradiction. This book also offers brilliant, historically grounded readings of images ranging from the Shroud of Turin to Vermeer's Lacemaker.
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