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Conrad, language, and narrative

Verfasser/in: Michael Greaney
Verlag: Cambridge, U.K. ; New York : Cambridge University Press, 2002.
Ausgabe/Format   E-Book : Dokument : EnglischAlle Ausgaben und Formate anzeigen
Datenbank:WorldCat
Zusammenfassung:
"In this re-evaluation of the writings of Joseph Conrad, Michael Greaney places language and narrative at the heart of his literary achievement. A trilingual Polish expatriate, Conrad brought a formidable linguistic self-consciousness to the English novel; tensions between speech and writing are the defining obsessions of his career. He sought very early on to develop a 'writing of the voice' based on oral or
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Gattung/Form: Electronic books
Physisches Format Print version:
Greaney, Michael.
Conrad, language, and narrative.
Cambridge, U.K. ; New York : Cambridge University Press, 2002
(DLC) 2001035601
(OCoLC)46951506
Name: Joseph Conrad; Joseph Conrad; Joseph Conrad; Joseph Conrad; Joseph Conrad; Joseph Conrad; Joseph Conrad
Medientyp: Dokument, Internetquelle
Dokumenttyp: Internet-Ressource, Computer-Datei
Alle Autoren: Michael Greaney
ISBN: 0511018452 9780511018459 0511119879 9780511119873 9780521807548 0521807549 9780511485107 0511485107
OCLC-Nummer: 52472776
Beschreibung: 1 online resource (ix, 194 pages)
Inhalt: pt. I. Speech Communities. 1. 'The realm of living speech': Conrad and oral community. 2. 'Murder by language': 'Falk' and Victory. 3. 'Drawing-room voices': language and space in The Arrow of Gold --
pt. II. Marlow. 4. Modernist storytelling: 'Youth' and 'Heart of Darkness'. 5. The scandals of Lord Jim. 6. The gender of Chance --
pt. III. Political Communities. 7. Nostromo and anecdotal history. 8. Linguistic dystopia: The Secret Agent. 9. 'Gossip tales, suspicions': language and paranoia in Under Western Eyes.
Verfasserangabe: Michael Greaney.
Weitere Informationen:

Abstract:

"In this re-evaluation of the writings of Joseph Conrad, Michael Greaney places language and narrative at the heart of his literary achievement. A trilingual Polish expatriate, Conrad brought a formidable linguistic self-consciousness to the English novel; tensions between speech and writing are the defining obsessions of his career. He sought very early on to develop a 'writing of the voice' based on oral or communal modes of storytelling. Greaney argues that the 'yarns' of his nautical raconteur Marlow are the most challenging expression of this voice-centred aesthetic. But Conrad's suspicion that words are fundamentally untrustworthy is present in everything he wrote.

The political novels of his middle period represent a breakthrough from traditional storytelling into the writerly aesthetic of high modernism. Greaney offers an examination of a wide range of Conrad's work which combines recent critical approaches to language in post-structuralism with an impressive command of linguistic theory."--Jacket.

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