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Conrad, language, and narrative

作者: Michael Greaney
出版商: Cambridge, U.K. ; New York : Cambridge University Press, 2002.
版本/格式:   電子書 : 文獻 : 英語所有版本和格式的總覽
資料庫:WorldCat
提要:
"In this re-evaluation of the writings of Joseph Conrad, Michael Greaney places language and narrative at the heart of his literary achievement. A trilingual Polish expatriate, Conrad brought a formidable linguistic self-consciousness to the English novel; tensions between speech and writing are the defining obsessions of his career. He sought very early on to develop a 'writing of the voice' based on oral or
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類型/形式: Electronic books
其他的實體格式: Print version:
Greaney, Michael.
Conrad, language, and narrative.
Cambridge, U.K. ; New York : Cambridge University Press, 2002
(DLC) 2001035601
(OCoLC)46951506
提及的人: Joseph Conrad; Joseph Conrad; Joseph Conrad; Joseph Conrad; Joseph Conrad; Joseph Conrad; Joseph Conrad
資料類型: 文獻, 網際網路資源
文件類型: 網路資源, 電腦資料
所有的作者/貢獻者: Michael Greaney
ISBN: 0511018452 9780511018459 0511119879 9780511119873 9780521807548 0521807549 9780511485107 0511485107
OCLC系統控制編碼: 52472776
描述: 1 online resource (ix, 194 pages)
内容: pt. I. Speech Communities. 1. 'The realm of living speech': Conrad and oral community. 2. 'Murder by language': 'Falk' and Victory. 3. 'Drawing-room voices': language and space in The Arrow of Gold --
pt. II. Marlow. 4. Modernist storytelling: 'Youth' and 'Heart of Darkness'. 5. The scandals of Lord Jim. 6. The gender of Chance --
pt. III. Political Communities. 7. Nostromo and anecdotal history. 8. Linguistic dystopia: The Secret Agent. 9. 'Gossip tales, suspicions': language and paranoia in Under Western Eyes.
責任: Michael Greaney.
更多資訊:

摘要:

"In this re-evaluation of the writings of Joseph Conrad, Michael Greaney places language and narrative at the heart of his literary achievement. A trilingual Polish expatriate, Conrad brought a formidable linguistic self-consciousness to the English novel; tensions between speech and writing are the defining obsessions of his career. He sought very early on to develop a 'writing of the voice' based on oral or communal modes of storytelling. Greaney argues that the 'yarns' of his nautical raconteur Marlow are the most challenging expression of this voice-centred aesthetic. But Conrad's suspicion that words are fundamentally untrustworthy is present in everything he wrote.

The political novels of his middle period represent a breakthrough from traditional storytelling into the writerly aesthetic of high modernism. Greaney offers an examination of a wide range of Conrad's work which combines recent critical approaches to language in post-structuralism with an impressive command of linguistic theory."--Jacket.

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