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Contemporary French art. 1, Eleven studies

Author: Michael Bishop
Publisher: Amsterdam ; New York, NY : Rodopi, 2008.
Series: Faux Titre, 317.
Edition/Format:   eBook : Document : EnglishView all editions and formats
Summary:
Ben Vautier, Niki De Saint Phalle, François Morellet, Louise Bourgeois, Alexandre Hollan, Claude Viallat, Sophie Calle, Bernard Pagès, Jean-Pierre Pincemin, Annette Messager, Gérard Titus-Carmel: eleven major French artists of the last forty years or so, examined in the light of their uniqueness and their rootedness, the specificities of their differing and at times overlapping plastic practices and the swirling  Read more...
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Genre/Form: Electronic books
Additional Physical Format: Print version:
Bishop, Michael, 1938-
Contemporary French art. 1, Eleven studies.
Amsterdam ; New York, NY : Rodopi, 2008
(OCoLC)247883849
Material Type: Document, Internet resource
Document Type: Internet Resource, Computer File
All Authors / Contributors: Michael Bishop
ISBN: 9781435666054 1435666054 9789401206006 9401206007
OCLC Number: 259787396
Description: 1 online resource (189 pages).
Contents: Table of contents; preface; truth and infinity: ben vautier; shooting for transcendence: niki de saint phalle; baroque minimalist?: françois morellet; sublimation, the irreducible and the sacred: louise bourgeois; seeing being: alexandre hollan; spiralling, infinity, tautology: claude viallat; ritual, desire, dys-covering: sophie calle; raggedness, fusion and silence: bernard pagès; structure, sensuality, fable, accompaniment: jean-pierre pincemin; chimera, caress, sacred implosion: annette messager; absence and melancholia, meaning and beauty: gérard titus-carmel; selected bibliography.
Series Title: Faux Titre, 317.
Other Titles: Eleven studies
Responsibility: Michael Bishop.

Abstract:

Ben Vautier, Niki De Saint Phalle, François Morellet, Louise Bourgeois, Alexandre Hollan, Claude Viallat, Sophie Calle, Bernard Pagès, Jean-Pierre Pincemin, Annette Messager, Gérard Titus-Carmel: eleven major French artists of the last forty years or so, examined in the light of their uniqueness and their rootedness, the specificities of their differing and at times overlapping plastic practices and the swirling and often highly hybridised conceptions entertained in regard to such practices. Thus does analysis range from discussion of the feisty, Fluxus-inspired, free-spirited funkiness of Ben.

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