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The controversy of Renaissance art

Autor: Alexander Nagel
Editorial: Chicago ; London : The University of Chicago Press, ©2011.
Edición/Formato:   Libro : Ficción : Inglés (eng)Ver todas las ediciones y todos los formatos
Base de datos:WorldCat
Resumen:
Starting in the 1490s, Italy passed through a phase of religious conflict, one that anticipated and ran parallel to the Reformations of northern Europe. A season of controversy put religious images newly under scrutiny, provoking radical investigations into their modes and traditions. Could they reliably convey sacred truth and power, adn if so, how? Was the artist a transmitter or an interpreter, or both? Did  Leer más
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Género/Forma: Nonfiction
Tipo de material: Ficción
Tipo de documento: Libro/Texto
Todos autores / colaboradores: Alexander Nagel
ISBN: 9780226567723 0226567729
Número OCLC: 457149583
Descripción: xi, 358 pages : illustrations (some color) ; 26 cm
Contenido: Effects of estrangement --
Erasure, defacement, unmasking --
Excavations of the image --
Re-mediations of the altarpiece --
Animated statues --
The antique statue of Christ --
Avatars of the golden calf in the works of Andrea Riccio --
Architecture as image --
The tabernacle in the matrix --
The most abstract altarpiece of the Italian Renaissance.
Responsabilidad: Alexander Nagel.

Resumen:

A study of the controversies over religious images that pervaded Italian life both before and parallel to the Reformation north of the Alps.  Leer más

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"Alexander Nagel's account of the underappreciated radicality of Renaissance aesthetic experiments is packed with solid research, original interpretive insights, and flashes of poetry. This is a Leer más

 
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schema:description"Starting in the 1490s, Italy passed through a phase of religious conflict, one that anticipated and ran parallel to the Reformations of northern Europe. A season of controversy put religious images newly under scrutiny, provoking radical investigations into their modes and traditions. Could they reliably convey sacred truth and power, adn if so, how? Was the artist a transmitter or an interpreter, or both? Did Christian art have its own logic and legitimacy, or was it part of a long series of formal adaptations that began in deep antiquity? They most vocal religious critics in Italy were also, very often, the most refined patrons of art. Skepticism about images was redirected back into the art, again and again turning controversy into an aesthetic occasion. Working at the limits of the available media, artists such as Leonardo da Vinci, Fra Bartolommeo, Giorgione, Michelangelo, Raphael, Giulio Romano, Andrea Riccio, Rosso Fiorentino, Titian, Michele Sanmicheli, and Hacopo Sansovino successively dismantled and reconstituted the categories of art-making. Hardly capable of sustaining a program of reform, the experimental art of this period was succeeded by a new era of cultural codification in the second half of the sixteenth century. The Controversy of Renaissance Art is a major reappraisal of a critical period of art-making from one of our most acclaimed historians of art."@en
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