aller au contenu
C.R. Mackintosh : the poetics of workmanship Aperçu de cet ouvrage
FermerAperçu de cet ouvrage
Vérifiant…

C.R. Mackintosh : the poetics of workmanship

Auteur : David Brett
Éditeur : Cambridge, Mass. : Harvard University Press, 1992.
Collection : Essays in art and culture.
Édition/format :   Livre : AnglaisVoir toutes les éditions et tous les formats
Base de données :WorldCat
Résumé :
Between 1896 and 1906 Charles Rennie Mackintosh (1868-1928) produced a series of buildings and interiors in and around Glasgow of such startling invention that he immediately established himself as one of the truly great figures in early twentieth-century architecture and design. David Brett argues that Mackintosh's originality was grounded in a highly subjective "poetics of workmanship," in which the structure,  Lire la suite...
Évaluation :

(pas encore évalué) 0 avec des critiques - Soyez le premier.

Sujets
Plus comme ceci

 

Trouver un exemplaire en ligne

Liens vers cet ouvrage

Trouver un exemplaire dans la bibliothèque

&AllPage.SpinnerRetrieving; Recherche de bibliothèques qui possèdent cet ouvrage...

Détails

Genre/forme : Criticism, interpretation, etc
Format – détails additionnels : Online version:
Brett, David.
C.R. Mackintosh.
Cambridge, Mass. : Harvard University Press, 1992
(OCoLC)645833806
Personne nommée : Charles Rennie Mackintosh; Charles Rennie Mackintosh; Charles Rennie Mackintosh
Type d’ouvrage : Ressource Internet
Format : Livre, Ressource Internet
Tous les auteurs / collaborateurs : David Brett
ISBN : 0674540654 9780674540651 0674540662 9780674540668
Numéro OCLC : 24846940
Description : 152 pages : illustrations (some color) ; 25 cm.
Titre de collection : Essays in art and culture.
Responsabilité : David Brett.

Résumé :

Between 1896 and 1906 Charles Rennie Mackintosh (1868-1928) produced a series of buildings and interiors in and around Glasgow of such startling invention that he immediately established himself as one of the truly great figures in early twentieth-century architecture and design. David Brett argues that Mackintosh's originality was grounded in a highly subjective "poetics of workmanship," in which the structure, features, interiors and furnishings of each individual. Building became subject to a unifying system of forms, metaphors and unconscious associations. The system Mackintosh evolved--which began with his early drawing shaped by the Victorian tradition of art botany--allowed for the formulation of an almost infinite series of ensembles. After focusing on the various decorative details and interior spaces of Mackintosh's buildings, the author reaches to the heart of Mackintosh's poetic system--the diffused eroticism of the sleek, "feminine" and intensely private white interiors. A notable feature of this persuasive reappraisal of Mackintosh's work is the wealth of photographs by the author showing rarely featured details of buildings, interiors and furnishings.

Critiques

Critiques d’utilisateurs
Récupération des critiques de GoodReads...
Récuperation des critiques DOGObooks…

Tags

Soyez le premier.
Confirmez cette demande

Vous avez peut-être déjà demandé cet ouvrage. Veuillez sélectionner OK si vous voulez poursuivre avec cette demande quand même.

Données liées


<http://www.worldcat.org/oclc/24846940>
library:oclcnum"24846940"
library:placeOfPublication
library:placeOfPublication
rdf:typeschema:Book
rdf:typeschema:MediaObject
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
<http://viaf.org/viaf/74645185>
rdf:typeschema:Person
schema:birthDate"1868"
schema:deathDate"1928"
schema:familyName"Mackintosh"
schema:givenName"Charles Rennie"
schema:name"Mackintosh, Charles Rennie."
schema:name"Mackintosh, Charles Rennie, 1868-1928"
schema:about
schema:creator
schema:datePublished"1992"
schema:description"Between 1896 and 1906 Charles Rennie Mackintosh (1868-1928) produced a series of buildings and interiors in and around Glasgow of such startling invention that he immediately established himself as one of the truly great figures in early twentieth-century architecture and design. David Brett argues that Mackintosh's originality was grounded in a highly subjective "poetics of workmanship," in which the structure, features, interiors and furnishings of each individual. Building became subject to a unifying system of forms, metaphors and unconscious associations. The system Mackintosh evolved--which began with his early drawing shaped by the Victorian tradition of art botany--allowed for the formulation of an almost infinite series of ensembles. After focusing on the various decorative details and interior spaces of Mackintosh's buildings, the author reaches to the heart of Mackintosh's poetic system--the diffused eroticism of the sleek, "feminine" and intensely private white interiors. A notable feature of this persuasive reappraisal of Mackintosh's work is the wealth of photographs by the author showing rarely featured details of buildings, interiors and furnishings."@en
schema:exampleOfWork<http://worldcat.org/entity/work/id/2681769>
schema:genre"Criticism, interpretation, etc."@en
schema:inLanguage"en"
schema:isPartOf
schema:name"C.R. Mackintosh : the poetics of workmanship"@en
schema:publication
schema:publisher
schema:workExample
schema:workExample
wdrs:describedby

Content-negotiable representations

Fermer la fenêtre

Veuillez vous identifier dans WorldCat 

Vous n’avez pas de compte? Vous pouvez facilement créer un compte gratuit.