passa ai contenuti
C.R. Mackintosh : the poetics of workmanship Anteprima di questo documento
ChiudiAnteprima di questo documento
Stiamo controllando…

C.R. Mackintosh : the poetics of workmanship

Autore: David Brett
Editore: Cambridge, Mass. : Harvard University Press, 1992.
Serie: Essays in art and culture.
Edizione/Formato:   Libro : EnglishVedi tutte le edizioni e i formati
Banca dati:WorldCat
Sommario:
Between 1896 and 1906 Charles Rennie Mackintosh (1868-1928) produced a series of buildings and interiors in and around Glasgow of such startling invention that he immediately established himself as one of the truly great figures in early twentieth-century architecture and design. David Brett argues that Mackintosh's originality was grounded in a highly subjective "poetics of workmanship," in which the structure,  Per saperne di più…
Voto:

(non ancora votato) 0 con commenti - Diventa il primo.

Soggetti
Altri come questo

 

Trova una copia in biblioteca

&AllPage.SpinnerRetrieving; Stiamo ricercando le biblioteche che possiedono questo documento…

Dettagli

Genere/forma: Criticism, interpretation, etc
Informazioni aggiuntive sul formato: Online version:
Brett, David.
C.R. Mackintosh.
Cambridge, Mass. : Harvard University Press, 1992
(OCoLC)645833806
Persona incaricata: Charles Rennie Mackintosh; Charles Rennie Mackintosh; Charles Rennie Mackintosh
Tipo documento: Book
Tutti gli autori / Collaboratori: David Brett
ISBN: 0674540654 9780674540651 0674540662 9780674540668
Numero OCLC: 24846940
Descrizione: 152 p. : ill. (some col.) ; 25 cm.
Titolo della serie: Essays in art and culture.
Responsabilità: David Brett.
Maggiori informazioni:

Abstract:

Between 1896 and 1906 Charles Rennie Mackintosh (1868-1928) produced a series of buildings and interiors in and around Glasgow of such startling invention that he immediately established himself as one of the truly great figures in early twentieth-century architecture and design. David Brett argues that Mackintosh's originality was grounded in a highly subjective "poetics of workmanship," in which the structure, features, interiors and furnishings of each individual. Building became subject to a unifying system of forms, metaphors and unconscious associations. The system Mackintosh evolved--which began with his early drawing shaped by the Victorian tradition of art botany--allowed for the formulation of an almost infinite series of ensembles. After focusing on the various decorative details and interior spaces of Mackintosh's buildings, the author reaches to the heart of Mackintosh's poetic system--the diffused eroticism of the sleek, "feminine" and intensely private white interiors. A notable feature of this persuasive reappraisal of Mackintosh's work is the wealth of photographs by the author showing rarely featured details of buildings, interiors and furnishings.

Commenti

Commenti degli utenti
Recuperando commenti GoodReads…
Stiamo recuperando commenti DOGObooks

Etichette

Diventa il primo.
Conferma questa richiesta

Potresti aver già richiesto questo documento. Seleziona OK se si vuole procedere comunque con questa richiesta.

Dati collegati


<http://www.worldcat.org/oclc/24846940>
library:oclcnum"24846940"
library:placeOfPublication
library:placeOfPublication
owl:sameAs<info:oclcnum/24846940>
rdf:typeschema:Book
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
<http://viaf.org/viaf/74645185>
rdf:typeschema:Person
schema:birthDate"1868"
schema:deathDate"1928"
schema:familyName"Mackintosh"
schema:givenName"Charles Rennie"
schema:name"Mackintosh, Charles Rennie"
schema:name"Mackintosh, Charles Rennie, 1868-1928"
schema:about
schema:creator
schema:datePublished"1992"
schema:description"Between 1896 and 1906 Charles Rennie Mackintosh (1868-1928) produced a series of buildings and interiors in and around Glasgow of such startling invention that he immediately established himself as one of the truly great figures in early twentieth-century architecture and design. David Brett argues that Mackintosh's originality was grounded in a highly subjective "poetics of workmanship," in which the structure, features, interiors and furnishings of each individual. Building became subject to a unifying system of forms, metaphors and unconscious associations. The system Mackintosh evolved--which began with his early drawing shaped by the Victorian tradition of art botany--allowed for the formulation of an almost infinite series of ensembles. After focusing on the various decorative details and interior spaces of Mackintosh's buildings, the author reaches to the heart of Mackintosh's poetic system--the diffused eroticism of the sleek, "feminine" and intensely private white interiors. A notable feature of this persuasive reappraisal of Mackintosh's work is the wealth of photographs by the author showing rarely featured details of buildings, interiors and furnishings."@en
schema:exampleOfWork<http://worldcat.org/entity/work/id/2681769>
schema:genre"Criticism, interpretation, etc."@en
schema:inLanguage"en"
schema:name"C.R. Mackintosh : the poetics of workmanship"@en
schema:numberOfPages"152"
schema:publisher
schema:url
schema:workExample
schema:workExample

Content-negotiable representations

Chiudi finestra

Per favore entra in WorldCat 

Non hai un account? Puoi facilmente crearne uno gratuito.