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C.R. Mackintosh : the poetics of workmanship

著者: David Brett
出版: Cambridge, Mass. : Harvard University Press, 1992.
シリーズ: Essays in art and culture.
エディション/フォーマット:   書籍 : Englishすべてのエディションとフォーマットを見る
データベース:WorldCat
概要:
Between 1896 and 1906 Charles Rennie Mackintosh (1868-1928) produced a series of buildings and interiors in and around Glasgow of such startling invention that he immediately established himself as one of the truly great figures in early twentieth-century architecture and design. David Brett argues that Mackintosh's originality was grounded in a highly subjective "poetics of workmanship," in which the structure,  続きを読む
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ジャンル/形式: Criticism, interpretation, etc
その他のフォーマット: Online version:
Brett, David.
C.R. Mackintosh.
Cambridge, Mass. : Harvard University Press, 1992
(OCoLC)645833806
関連の人物: Charles Rennie Mackintosh; Charles Rennie Mackintosh; Charles Rennie Mackintosh
資料の種類: インターネット資料
ドキュメントの種類: 図書, インターネットリソース
すべての著者/寄与者: David Brett
ISBN: 0674540654 9780674540651 0674540662 9780674540668
OCLC No.: 24846940
物理形態: 152 pages : illustrations (some color) ; 25 cm.
シリーズタイトル: Essays in art and culture.
責任者: David Brett.

概要:

Between 1896 and 1906 Charles Rennie Mackintosh (1868-1928) produced a series of buildings and interiors in and around Glasgow of such startling invention that he immediately established himself as one of the truly great figures in early twentieth-century architecture and design. David Brett argues that Mackintosh's originality was grounded in a highly subjective "poetics of workmanship," in which the structure, features, interiors and furnishings of each individual. Building became subject to a unifying system of forms, metaphors and unconscious associations. The system Mackintosh evolved--which began with his early drawing shaped by the Victorian tradition of art botany--allowed for the formulation of an almost infinite series of ensembles. After focusing on the various decorative details and interior spaces of Mackintosh's buildings, the author reaches to the heart of Mackintosh's poetic system--the diffused eroticism of the sleek, "feminine" and intensely private white interiors. A notable feature of this persuasive reappraisal of Mackintosh's work is the wealth of photographs by the author showing rarely featured details of buildings, interiors and furnishings.

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