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C.R. Mackintosh : the poetics of workmanship

著者: David Brett
出版商: Cambridge, Mass. : Harvard University Press, 1992.
丛书: Essays in art and culture.
版本/格式:   Print book : 英语查看所有的版本和格式
数据库:WorldCat
提要:
Between 1896 and 1906 Charles Rennie Mackintosh (1868-1928) produced a series of buildings and interiors in and around Glasgow of such startling invention that he immediately established himself as one of the truly great figures in early twentieth-century architecture and design. David Brett argues that Mackintosh's originality was grounded in a highly subjective "poetics of workmanship," in which the structure,  再读一些...
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详细书目

类型/形式: Criticism, interpretation, etc
附加的形体格式: Online version:
Brett, David.
C.R. Mackintosh.
Cambridge, Mass. : Harvard University Press, 1992
(OCoLC)645833806
提及的人: Charles Rennie Mackintosh; Charles Rennie Mackintosh; Charles Rennie Mackintosh
材料类型: 互联网资源
文件类型: 书, 互联网资源
所有的著者/提供者: David Brett
ISBN: 0674540654 9780674540651 0674540662 9780674540668
OCLC号码: 24846940
描述: 152 pages : illustrations (some color) ; 25 cm.
丛书名: Essays in art and culture.
责任: David Brett.

摘要:

Between 1896 and 1906 Charles Rennie Mackintosh (1868-1928) produced a series of buildings and interiors in and around Glasgow of such startling invention that he immediately established himself as one of the truly great figures in early twentieth-century architecture and design. David Brett argues that Mackintosh's originality was grounded in a highly subjective "poetics of workmanship," in which the structure, features, interiors and furnishings of each individual. Building became subject to a unifying system of forms, metaphors and unconscious associations. The system Mackintosh evolved--which began with his early drawing shaped by the Victorian tradition of art botany--allowed for the formulation of an almost infinite series of ensembles. After focusing on the various decorative details and interior spaces of Mackintosh's buildings, the author reaches to the heart of Mackintosh's poetic system--the diffused eroticism of the sleek, "feminine" and intensely private white interiors. A notable feature of this persuasive reappraisal of Mackintosh's work is the wealth of photographs by the author showing rarely featured details of buildings, interiors and furnishings.

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