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Creating and recovering experience : repetition in Tolstoy
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Creating and recovering experience : repetition in Tolstoy

Verfasser/in: Natasha Sankovitch
Verlag: Stanford, Calif. : Stanford University Press, ©1998.
Ausgabe/Format  Buch : EnglischAlle Ausgaben und Formate anzeigen
Inhaltsangabe:
The thesis of this book is that repetition is central to Tolstoy's art. The author argues that Tolstoy uses this device - or rather, complex of devices - to represent and examine the processes by which people structure and give meaning to their experience. Repetition is shown to be essential to his style, to his understanding of characters' psychology, to the structure of his work, and to his interaction with
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Name: Leo Tolstoy, graf; L N Tolstoı̆; Leo Tolstoy, graf; Lev Nikolaevič Tolstoj; Lev N Tolstoj
Medientyp: Internetquelle
Dokumenttyp: Buch, Internet-Ressource
Alle Autoren: Natasha Sankovitch
ISBN: 0804732159 9780804732154
OCLC-Nummer: 37509970
Beschreibung: 245 p. ; 23 cm.
Inhalt: 1. Repetition in Tolstoy --
2. The Structure of Characters' Experience --
3. Relationships Among Characters --
4. Intertextual Repetition in Tolstoy.
Verfasserangabe: Natasha Sankovitch.
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Abstract:

The thesis of this book is that repetition is central to Tolstoy's art. The author argues that Tolstoy uses this device - or rather, complex of devices - to represent and examine the processes by which people structure and give meaning to their experience. Repetition is shown to be essential to his style, to his understanding of characters' psychology, to the structure of his work, and to his interaction with readers. In short, it defines much of what is "Tolstoyan" about Tolstoy.

In examining the link between Tolstoy's repeated verbal elements and his broader concepts of structure and meaning, the book combines close readings of key passages in the novels with an exploration of larger theoretical issues: the dynamics of reading and sense-making, the ethics and aesthetics of memory, and the function of language as a system of cognition and communication. As a result, the book contributes not only to studies of Tolstoy and the genre of the novel but to our understanding of the relations among rhetorical, cognitive, aesthetic, and ethical aspects of great art generally.

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